Look Both Ways:
Storyline:
On the eve of her college graduation, Natalie's life diverges into parallel realities: one where she gets pregnant and the other where she moves to LA to pursue her dream career. Despite the utterly horrific self-sabotaging protagonist, this film is not what it looks like. Though it has the strictly set up plot and rudimentary flow of a Netflix story, this parallel reality is quite creative and honestly, really entertaining. And while I wouldn't come close to demanding that it must be seen by all, it isn't a bad watch and gets you thinking, whether you realize it or not. Given the time variation was not presented most clearly and defiantly possible, it left an incredible amount of room to get caught up. That said, there were some physical features to help distinguish which time frame was playing out, but the majority was wasting time trying to figure out what reality was happening instead of soaking up the story. Nevertheless, having a cast with chemistry and a story that was written to be colorful, it develops into a pretty well-executed film, all things considered. This was not meant to be worth anything more than a cheaply done Netflix product, but when it exceeds expectations, it becomes much more intriguing. Look Both Ways is not for everyone - and you'll know who you are in the first 10 minutes - but it provides a relieving change of pace from the agonizingly identical rom-coms that come out every week nowadays. We need more of these light-hearted, carefree, and solidly average 6/10 films in the genre that just don't get made like they used to anymore. 6/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 6.5/10
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Purple Hearts:
Storyline:
In spite of their many differences, Cassie, a struggling singer-songwriter, and Luke, a troubled Marine, agree to marry solely for military benefits. While I can objectively say this film was not made well, nor did it hold any features that I would classify as creative, somehow, Purple Hearts keeps you watching until the very end - and you can find yourself smiling and giggling all the way through. I give props to this story being unlike the others, and that's not toward its Hallmark predictability and horrendous performances. Rather, it's for the premise of a romance centered around a fathomable idea, not to mention the fact that it's never really been done before. Though the nitty-gritty of the “plot" does not begin to brush the surface on real-life consequences, this unexplainably doesn't seem to matter. The focus is on the hopeless romantic love story and that's exactly what happens, as every other critical implication fades away. Painful, never-ending musical performances, a mass amount of piling-up subplots, and plot holes that are simply thoughtless are just the beginning of the list of things this film gets wrong. Yet, the chemistry that shines and the enemies to lovers trope creates a tone that is nothing short of lifelike and puts the audience into a world that's livable. Good bad movies are quite frankly one of my favorite genres. From predictable endings to foreseeable conflicts to uncomfortable acting, they never fail to keep you amused. Sometimes you want to forget the cinematic masterpieces and just enjoy a truthfully terribly made, well-executed story - and Purple Hearts is the newest addition. 4/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 7/10
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Moonshot:
Storyline:
Two college students join forces to be reunited with their significant others, embarking on a lively journey that takes them wildly off course. Though partially credited to the lack of advertising or the sheer need for quickly made, decently portrayed romcoms were in the lack of nowadays, Moonshot simply works. While it is as far from perfect as you can get and is painfully predictable, I somehow liked it, with all things considered. Given that the main characters are set up for the worst in terms of the absence of any development or substance to go along with building them up, although it is noticeable, it's not a large complication. The actors are dedicated to their roles in providing a compelling ride, no matter if 95% of what they're saying is forgettable. What shines the most, rather, is the fun progression in which it takes place and the feeling it achieves. Furthering the too cheesy subject matter, the subplots and the over-use of stereotypical characters don't help to authenticate the already hard to believe situations that fill this film. And while this doesn't dive too deep into the real issues that matter, there's no denying that even the most naive simplifications still amount to an attentive audience. Having distinct and established three-part acts, this film is nothing close to a deep subject matter and may feel out of place due to a way-too-familiar plotline that's "casually" set in space, but we need more of these playful romcoms that are lighthearted and all in good fun. 6/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 6.5/10
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Marry Me:
Storyline:
Music superstar Kat Valdez is getting married before a global audience. But when Kat learns that her fiance has been unfaithful, she decides to marry a stranger in the crowd instead. While I admit I was slightly excited for this film, as it looked so bad it might be good, I can attest that in fact, this was just bad. Setting itself up for disappointment from the casting of Jennifer Lopez, while I have said time and time again, acting is not her strong suit (despite her only accomplishment, Hustlers), this is no different. However, the premise of this film had potential, from a too good to be true romance and the quite heavy feeling of embodying J.Lo's tough persona she puts on for the public, Marry Me sadly runs out of substance 30 minutes in. Throwing in too many original songs as transitions, rather than these tracks expressively feeling like they personify living two lives - one fake, constantly in the spotlight, and the other a normal, personal life - instead, it feels like cheesy b-roll on the news. It simply becomes too hard to believe that this connection between individuals with a lack of chemistry is real. Not to mention the completely irrelevant use of literally every actor included from Owen Wilson, Sarah Silverman, Chloe Coleman, and John Bradley, absolutely no one struck a nerve like they were intending. Neither having the realistic factor of two opposite individuals falling for each other or the cliche of being a solid BAM! film, this tries to achieve the satisfaction of the film Long Shot but struggles in every single aspect. Nevertheless, this is still a quick little rom-com that serves its purpose of wasting time, yet could have been intriguing if it played its card correctly. 4/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 5/10
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I Want You Back:
Storyline:
Newly dumped thirty-somethings Peter and Emma team up to sabotage their exes' new relationships and win them back for good. Whether it's the low expectations I had going into this film, the precise delivery of a steady rom-com, or a bit of both, I Want You Back exceptionally acts on an idea that is not usually executed as successfully. Casting an immaculate group of well-balanced individuals, the characters are beyond compare within the genre. From sensible interactions to reasonable and rational growth, this sets up an even playing field for the integrity of everyone to show. Not to mention a stellar presentation of details, this effortlessly progresses within each monumental moment in any given character's life with grace. Building relationships and watching interconnections form, there is something for everyone to relate to. Not to mention a killer soundtrack that embodies the vibe of this screenplay, this presents all the right pictures, creates a wholesome feeling, and has circulating themes that connect across the board. Simply put, a great cast can set in motion varies of emotion, but with the help of quick, dry, and offbeat humor, the few and far in-between details that would once get lost in translation, don't. Having more heart than it seems and more appreciable humor than it leads on, this is a rare, balanced, and fresh rom-com that needs to be seen by all. 8/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 8/10
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Leap Year:
Storyline:
Anna plans to travel to Ireland to propose to her boyfriend Jeremy on February 29, leap day based on an Irish tale. Cheaply made romcoms are without doubt a guilty pleasure/hobby of mine to watch, as they are for many. While this is not the worst out there, it's wavering on the line. Based on a terrible concept, painful interactions, and a lagging progression, it’s easy to hate on this film. Although depicting all of the usual plot points to please any fan of the genre - enemies to lovers, happy ending, tasteless dialogue - the lack of connection between the characters and the audience is what this struggles with. Never feeling a spark or an ounce of chemistry, it's hard to react in any sort of way when there is not a fun banter and/or a bond to witness. Neither getting on an in the moment playing field nor an outsiders perspective, the cringy dialogue paves the way for an uncomfortable watch rather than a sentimental one. Trying to find a positive within the negatives, it's pretty hard not to bash this production. The immense amount of words that describe the lack of spice, pizzaz, variation, and so on truly lie in the fact that no one really cared to look further into this why Leap Year was being made. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 3/10
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When in Rome:
Storyline:
Beth is a young and unlucky in love. On a trip to Rome, she impulsively steals some coins from a reputed fountain of love and pays the price. When foreseeable events are paired with cheesy interactions they usually amount to a poor production or a great BAM! film. Although it is all in the eye of the beholder, When in Rome is more bad than good, but is without a doubt diverting. Given I am a firm believer in the fact that overwhelming the audience with A-list stars in films swamps productions instead of lifting them up, for what it's worth, this screenplay wasn't meant for anything expressive, so it's not like it really matters. Though it is all relative, this at least stays in its lane as far as not going above and beyond. That said, lighthearted and all, this has a drive that is going nowhere. Being unable to connect with the viewers based on a run-around of a theme, this constantly circles around the sole point that would hold something of value. Thus developing a protagonist with morals and values that are not affecting and a resolution that is unsatisfying. While enjoyable in the moment, there is not one aspect that is specifically memorable. 4/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 5.5/10
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Monster-in-Law:
Storyline:
Charlotte meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship. I've said it many times, but I will continue to say it: Jennifer Lopez is not an actress. Every product she makes is uncomfortable, poorly acted, and the same character over and over again, all resulting in a faulty, predictable product. Although I like her enough to hope that each film she makes could be better than the last, plain and simple, her skills lie elsewhere. The thing that is the most upsetting, though, is not the performances, no matter how appalling they may be, but rather the fact that Monster-in-Law was made. Having the premise of the storyline hold nothing of value, there is no incentive to watch it. By neither leading with a strong concept nor providing a satisfying, cheesy, and heartwarming turn-around (which is really the only reason we watch these types of stories) what's the catch? To which the answer is nothing further than there is none. While I love bad romcoms just as much as the other fans of the genre, there is a line between a good bad BAM! film and just a bad movie, to which it's clear this is not ranked high in the slightest. Having said that, there are some moments that get a genuine laugh on top of just passing the time. However, the majority is awkward interactions, stiff dialogue, and the audience fighting to get to the end rather than having a diverting watch. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 3/10
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Laws of Attraction:
Storyline:
Rival divorce lawyers who are complete opposites are hired to represent opposing sides of a celebrity divorce case. The irony within Laws of Attraction is the fact that there is no attraction, chemistry, or feeling of any romantic connection between Pierce Brosnan and Julianne Moore. Therefore, basing an entire screenplay on two A-list celebrities that are on opposite wavelengths, it's pretty predictable as to how this turned out. Despite the absence of the sole concept that this film is based off, the premise of this plot had the potential to grow. Though the telling of these details gets lost in translation, the effort of trying to do the whole shebang - being wholesome, foreshadowing events, and staying true to its roots - is apparent. Be that as it may, while the attempt was clear, there's no excuse for the lack of development. This is both its demise and its victory, as its simple-mindedness makes for a breezy watch, yet it plays off more like a dumbed-down product rather than a meaning-to-be lighthearted image. While sometimes judging a film on its cover plays to be true, this film is not worth anyone's time, even if you do like cheesy romances or the essence of Brosnan - to which both are extremely underwhelming. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 3/10
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The Hating Game:
Storyline:
Lucy embarks on a ruthless game of one-upmanship against her cold and efficient work nemesis, but her rivalry is complicated by her growing attraction to him. The premise of this film had potential, yet the oversimplification of Hollywood romcoms and their poor implementation of predictable plots make something that could be entertaining, just simply not be. The problem with this film, specifically, is the fact that there is no portion of either the nitty-gritty or the blush-worthy moments. Brushing past the capable interactions with potential and honing in on the most irrelevant ones, the potential doesn't align with the product. Though the leads may look the part, they sure don't embody it. Feeling as monotonous as a wall, the lines that were delivered were with not an ounce of inflection. Truthfully feeling as if it was the first time any person had read their lines, it baffles me how this was able to be produced - yet then again, it doesn't at all, as it seems all that is made in the genre now values the number of films over the quality of what they're filled with. From the stiff dialogue that is advertised as clever banter to an overall uncomfortable connection among the cast, The Hating Game's only small honor comes as a few - and I mean few - cute one-liners. Otherwise, this film is quite a dud. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 3/10
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West Side Story:
Storyline:
The story of forbidden love and the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds. If you like musicals, the original West Side Story, or mindless romances, this will surely please. If you're a little more critical toward rational thought, overdoing an excessive runtime, or knowing when enough is enough, the contrary may have a few more issues than praises. The choreography and cinematography are undeniably outstanding, as anyone objectively can offer. However, this looked the part more so than having the audience feel the conflicts. Distinctly putting the effort it takes to provide a seamless picture, like specific wardrobe, detailed movements, and the application from everyone involved, no matter how pretty looks can be, they aren't everything. Given this is an established story, this revamps its motives to take a modern twist on its mindset and theme. That said, what was in much need of a rationalized and less suffocating relationship was what was showcased between Tony and Maria. While it's understandable their actions put in motion the rest of the story, the film itself focused too harshly on a skyline love that was based on nothing with grit. West Side Story is full of life, culture, beautiful choreography, and a talented cast, and deserves its recognition for such. What is too quickly looked past is a toxic-centered relationship, conflicts diminished and left in the dust, and a film that just didn't really feel like it had a purpose or differentiating from its predecessor. In turn, this is noticed for its cinematic elements, but its lengthy screen time, unfulfilling connections, and a plot that isn't up with the times/today’s standards, this was once an unbothered film that did not need to be re-done. 7/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 5/10
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Already Tomorrow in Hong Kong:
Storyline:
A budding attraction develops between a U.S. expatriate and a Chinese-American woman who's visiting Hong Kong for a business trip. Though stumbling upon this film by pure accident, Already Tomorrow in Hong Kong is a B-movie that is quite unknown, underappreciated, and shows the beauty of a real interaction among strangers. Judging by its cover, it doesn't look to be eye-catching and/or the most professional adaption to date. Yet the known and hectic disorganization within this story arguably amounts to the imperfections that make this just that more intriguing. While I am not referring to the lack of detail, shaky descriptions of their past, or the too-good-to-be-true coincidences (which are turned a blind eye to.) Rather, these imperfections apply to the hesitation between characters, the unnerving, awkward dialogue, and real-life chemistry that is natural and lifelike. Depicting how easy it is to find the right person at the wrong time, this representation is detailed, unique, and simply real. However, my utter recommendation toward this film does not rely on specific aspects, but the change of pace that the little things can precisely lead you to. No matter the initial reaction to the final moment on screen, to which will take time to appreciate the ambiguity, this is neither a version of cinematic nor perfect - but, it does what many in the genre lose their touch on - having the audience feel every bit of the connection between two people. 7/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 7.5/10
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The Big Wedding:
Storyline:
A long-divorced couple fakes being married as their family unites for a wedding. The Big Wedding uses stereotypical situations filled with seasoned, predictable characters and acts like it's nothing you've seen before. In reality, though, it is so painfully foreseeable and poorly portrayed, it hurts to watch. With an immensely star-studded cast, this shouldn't be as bad as it was, simply by the subconscious entertainment value its cast gives off. Yet, even so, the lack of effort delivering lines goes further than a cliched story jam-packed with poor characters, that's solely on the "talent" included. This needed to show the cast was having fun, provide some quotable moments, or be less guessable to make everything else that was going wrong function. Despite being exactly as bad as it looks, what gets me is that this film is truthfully unfunny and doesn't have any distinction to fix it. While it is clear it is riding the wave of the name of its stars to be seen, that set aside, this is just unplanned. Transferring the feeling that no one inside the story knew what was going to happen next (and not in an edge-of-your-seat-worthy type of way) but in an accidental and unintended type of way. By no means is this film recommendable, as there are better products both critically or for entertainment value, especially ones that are less of an overall shaggy product using famous people to get a watch. 2/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 2/10
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Never Been Kissed:
Storyline:
Josie Geller, a baby-faced junior copywriter, must pose as a high school student to research contemporary teenage culture. I am the first to admit that I am a sucker for poorly made romances, unfortunately, normally the ones that are more bad than good. Never Been Kissed, conversely had the potential to be deemed as such, but lost its touch on holding the audience's attention from the first moment on screen. If this concept was implemented with better performances and a stronger script, it wouldn't have been as uncomfortable. Yet, the hard fact is that this didn't even feel like it tried to portray any emotion through its characters or story, which especially in romcoms, needs at least one or the other. However, in good BAM! romcoms, there needs to be a balance of romance and comedy, along with the well-portrayed and awkward moments. Yet, this isn't even cheesy, cliche, or stereotypical, it is simply unprepared. While there was no connection between the audience and characters, it comes as no surprise the "big" turnaround was unsatisfying. Making for the finale to be anti-climactic, this had the potential to be endearing and wholesome, but instead was a treacherous watch filled with second-hand embarrassment. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 3/10
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Sleeping With Other People:
Storyline:
A good-natured womanizer and a serial cheater form a platonic relationship that helps reform them in ways, while a mutual attraction sets in. Having nothing stand out and clashing aspects, Sleeping With Other People is just not as goofy as it thinks it is and not nearly as expressive as it could have been. This, in turn, makes for a combination of two half-done themes that both leave an unfulfilling feeling. While this is likable within the genre, it only adds to the list of films that are popular for those who are in it and get a watch but don't fully deserve it. Without the unspoken essence of Jason Sudeikis, this screenplay wouldn't click. Creating an unmatched vibe with his carefree presentation and drawing commitment, without it, this would fall further into the pit of every other rom-com. Having a way about the bond between characters, there is an awkward (in a good way) adoration among these real people, which is what this gets right. However, while this has its offbeat scenes and sparing touching, memorable moments, this needed to figure out its goals to be anything grounded. Feeling out too many vibes and not solidifying any of them, even with its quite comedic storytelling and suspenseful chemistry, there is an indisputable void of needing more. 6/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 6/10
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Cinderella:
Storytelling:
When her father unexpectedly dies, young Ella finds herself at the mercy of her cruel stepmother and her scheming stepsisters. Given that this character is already wearing its name out by the constant average adaptions, this version of Cinderella, unfortunately, cannot find its ground to be anything special either. While this has an impressive star-studded cast, they feel more to look the part rather than earning it. Having attractive leads and supporting characters create the tone of an appealing and lavish lifestyle, but the performances do not align. Shortcoming within chemistry between relationships, there is no one or thing for the audience to grasp onto or connect with. Not to mention skimping out on the details, backstory, and relevance, this overaccentuates its new and improved additions rather than focusing on what is truly important - the protagonist, her love story, and an independent theme. Discouraging the importance of the finale because it finished off a plot that was nothing but mediocre, this is just another family film that was made by Disney for a paycheck rather than a well-made story. 4/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 5/10
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Love Hard:
Storyline:
An LA girl falls for an East Coast guy on a dating app and decides to surprise him for the holidays, only to discover that she's been catfished. Although the final product does not do justice to the quite intriguing concept of this story, Love Hard itself may be a waste of time, but the premise isn't. Without the stereotypical and unconventionally attractive love interest, this wouldn’t have a heartbeat. Pairing together a cast that Hollywood normally strays away from, the two opposites and cliche of companionship keep this afloat. To which without this juxtaposition, this would not draw the same accepting conclusion. With an ending monologue that’s true to many of this generation, this has its moments. Being overshadowed by the heavily forced Netflix formula, though, it doesn’t work. If this had the feeling of a Hallmark film, with the self-awareness of what they're doing, it would have clicked. However, by having a sense of seriousness along with the visibly cheap writing/storytelling, this loses its heart in the act of telling it. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 4/10
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Little Italy:
Storyline:
A young couple must navigate a blossoming romance, amidst a war between their families competing pizza restaurants. While there is nothing to say to change the overused stereotypes, underdeveloped story, and severe plot holes within this film, Little Italy may be the perfect amount of cringy Hallmark aspects and a well-delivered comedic script to provide a good bad film. The cast, without doubt, was in a jam finding the balance between realistic chemistry and a cheaply forced connection. From uneven portrayal within characters and a messy association to link everyone, the collective vibe is too dictated to create a progression. That being said, without an admirable script, this would be unwatchable. With absolutely impeccable comedic timing, this dry, sarcastic and self-aware writing makes for the cliche moments to become more wholesome than overpowering. Despite the simple fact there is more bad than good, I equally hated and liked this. Becoming quite ashamed that this brought as much enjoyment as it did, this delivers an undemanding, satisfying turn of events no matter how embarrassed one may feel having a soft spot for. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 6.5/10
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Something Borrowed:
Storyline:
Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend's fiancé. While predictable romances are made to be unrealistic, even keeping that in mind can't save this deeply rooted degrading theme. Something Borrowed centers an entire story around selfish characters and ignominious relationships, which, to no surprise, develops a concept that is as far from self-respect as one can get. Not to mention, the sole person deserving happiness is left with their story as nothing further than an underdeveloped subplot. Given the few, and I mean few, moments that get a laugh from the audience or are intriguing at the second, they're delivered from distant portrayals and a forced tone. Thoroughly becoming misplaced within the hodgepodge of unconditional ingredients, you can't root for anyone or anything as it's quite incomprehensible when even from a hopeless romantic perspective you can't find a way to enjoy it. Among everything, the most prominent and overlooked concern is the undermining of such a lowering concept. Despite the notion to highlight the difference between the self-sacrificing and selfish personalities, though utterly destructive, the message is hazy. Demonstrating all the wrong qualities that lead these broken personas to "happiness" reveals the lessons that no one should follow. Calling it what it is, this film discredits its happy ending by filling the journey with a protagonist who has all the wrong morals. 1/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 1/10
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Flipped:
Storyline:
Two eighth-graders start to have feelings for each other despite being total opposites. While Flipped is, without doubt, non-recommendable, painfully predictable, and mostly unsuccessfully acted, it was made this way on purpose. Intentionally having this be as informal as possible, the idea, though poorly executed, was for this to be as lifelike as can be. Given child actors, as I have said before, can make or break a screenplay, though the performances were nothing special, there is not much anyone can do with a cheap script. Becoming more uncomfortable than anything, while the delicacy of awkwardness can sometimes be influential, this was not deliberate. Not to mention the surplus of plot holes, although the narrating was just about the only consistent piece of this film, no feeling or thought carried through to prove relevant to the next. Surprisingly holding your attention till the end, this is by no means satisfying. While the die-hard hopeless romantics will surely find their way to be entertained by this, this film is routine, lifeless, and unimpressive. 4/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 5/10
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Letters to Juliet:
Storyline:
Sophie dreams of becoming a writer and travels to Verona, Italy where she meets the "Secretaries of Juliet". If there is any film that perfectly embodies the feeling of being embarrassed to enjoy such a poorly developed execution of the stereotypical romance, it would be Letters to Juliet. Though nothing particularly pinpoints this feeling, it rather develops throughout its cringy-natured, but satisfying vibe. To preface, this is a sentimental and quite rewatchable romance from my childhood. Though this is friendly for all ages, it can be equally worthwhile for everyone alike. Pleasing the hopeless romantics and keeping the audience engaged, each character has unchallenging chemistry. Painlessly carrying from one scene to the next, the essence this provides is simple and wholesome. However, with all lighthearted, easygoing romances come the lack of development, thin writing, and mostly lost opportunities in character arcs. While this unfortunately has all of the above, it doesn't take away from the focus at hand. Though the ending hits the spot for lovers of the genre, the lack of a thought-provoking concept or a truthfully endearing message takes this to a level of enjoyment in the moment but not becoming as memorable as it could have been. 5/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 6/10
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Life as We Know It:
Storyline:
Two single adults become caregivers to an orphaned girl when their mutual best friends die in an accident. Set with the usual premise for films of this nature, Life as We Know It becomes more predictable throughout its run time but rather indulges in the feeling of hating to love a critically bad film. Given the chemistry is as fake as one can get, this isn't a total train wreck due to a fitting cast. With everyone adjusting into their roles accordingly, the performances across the board are nothing award-winning but likewise nothing to be ashamed of. Carrying out an effective tone throughout, no one or thing goes above or beyond; instead, they act upon the common mindset of providing the quick feeling every staple rom-com delivers. Without a doubt set out and executed solely for entertainment purposes, this will always be an easygoing and feel-good film. Having its classic critical issues that anyone can find a point to notice, this thrives purely on running with the concepts that sell. For lovers of the genre, this is the perfect product to fill the void for the hopeless romantics or just an uncomplicated watch. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 6.5/10
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He's All That:
Storyline:
A teenage girl sets out to give a nebbish classmate the ultimate high school makeover. An updated remake of the 1999 film, 'She's All That'. Despite the obvious but needed to be mentioned fact that Addison Rae did not earn her spot within this film by her outrageously fake performance, the entire production is a joke of a motion picture. Implementing a horrifically cheap screenplay, it's quite questionable how this got produced. Developing an artificial script with overly unrealistic circumstances, while it's clear this was going to be nothing but a money grab, every aspect is utterly worthless. Within the incoherent plot, while there is no surprise nothing makes sense and there's an ungodly amount of plot holes, there is no room for this to be enjoyable. Delivering too many scenes that give off secondhand embarrassment by the unpleasantly cringy on-screen chemistry, this is painfully awkward and hard to get through. Not to mention the apparent product placement, laughable random dance number, inaccurate teen representations, and absolutely no care for an articulate purpose, He's All That is simply one of the worst films I have ever seen. 1/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 1/10
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Silver Linings Playbook:
Storyline:
Former teacher Pat Solitano moves back in with his parents after time in a mental institution. He then meets Tiffany, a mysterious girl with problems of her own. Delivering upon an unwavering authentic representation of the nitty-gritty truths of mental illness and relationships, Silver Linings Playbook gives its all in every aspect. With a genuine message and candid moments to enforce it, the audience lives in this messy and chaotic world. The frankly upfront presentation of characters sets up a genuine connection that's filled with hatred and confusion. From a script that is witty with its banter to the dedicated performances of Bradley Cooper and Jennifer Lawrence, it's well balanced. Possessing the ease of a reasonable concept, the successors of this film not only lie in the mature minds behind the camera but more so the actors who bring the characters to life. While not every moment within this story is fitting and some actions are out of place, it adds to the simplification that this is a representation of real life. With a sensible direction and an unmatched progression, there is next to nothing to not enjoy about this film. 7.5/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 8/10
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The Proposal:
Storyline:
A pushy boss forces her young assistant to marry her to keep her visa status in the U.S. and avoid deportation to Canada. Critical issues aside, The Proposal, still to this day remains one of my favorite BAM! films. Never failing to make the audience laugh, providing effortlessly lovable characters, and banter that is too good to be true but successful, this may be quickly produced, but faithfully gets you hooked within its first few moments. Obtaining the perfect vibe, this has an easygoing progression. Given the characters are cheaply written and as flat as they look, their actors give them an ounce of life. Constructing pure and natural chemistry, Sandra Bullock and Ryan Reynolds take what would have been a forgetful film into a distinctive one. All in all, while this easily gets repetitive with its meanings, conflicts, and resolutions, it pleases its targetted audience with a smile on their face. Being the ideal even amount of rom and com to be satisfying yet deserving of a laugh, this is straightforwardly entertaining and a must-see. 5/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 8/10
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Love, Rosie:
Storyline:
Rosie and Alex have been best friends since they were 5; when it comes to love, life, and making the right choices, these two are their own worst enemies. Given the essence of this story, it is naive to think it wouldn't show more of the grit and hardship that it was trying to touch on. While that doesn't mean this wasn't amusing or satisfying for the hopeless romantics (spoiler alert - it is), it rather tries to have the sappy love story mixed in with brutal situations of life all in one happy picture, which kills the vibe. Regardless, although the performances were all across the board, this still manages to show a personal and investing connection. With sincere chemistry driving the progression of this film, it draws out the other distracting and uncorrelated aspects for the time being. Aside from the unrealistic teen situations this portrays, this fails in achieving an honest, lifelike feeling. Having conflicts and resolutions that come from a heartfelt and natural place, it's quite off-putting as nothing coincides. Because of pure entertainment, it can keep you occupied, but it is nothing worth the time to watch. Standing for the definition of a not too good or not too bad film, this mediocre production is pretty dull considering everything in the genre. 4/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 5/10
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This Means War:
Storyline:
C.I.A. operatives wage an epic battle on each other when they discover they are dating the same woman. While This Means War is nothing short of a cheaply made romance that has been done countless unoriginal ways, though this is no better, it is quite enjoyable for what it's worth. Having amusing action, a fair share of witty humor, and knowing exactly what you're in for, this is unsurprising but slightly satisfying. With the charm of the three leading stars (and quite frankly the only thing that gets you to watch the film) with upbeat chemistry, it keeps this afloat. Given the performances are dull and anticipated, it comes as no surprise considering the predictable nature. Yet when all else fails, the not-so-perfect, cringy in a good way feeling is so bad, it's almost good. Finding a way to make you ashamed you can’t take your eyes off the horrendous plot, the intuitive storytelling keeps you within the story. Incorporating poor characters played by amusing actors, something is drawing about a bad film done right. Pleasing the hopeless romantics, there is much worse you can get yourself into and much more cinematic - above all else, this is suitable to the lovers of this genre. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 6/10
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Tequila Sunrise:
Storyline:
A former L.A. drug dealer tries to go straight but his past and his underworld connections bring him into the focus of the DEA. Simple but effective films such as these don't get made as gracefully anymore. Featuring a star-studded cast and an easy-going pace, this is a suitable film for every type of movie watcher - cheesy romance, predictable drama, and engaging action. Easily doubting this film from the cover, this has a fair share of crime and suspense. Complimenting the loyal plot points that hold it together, the diligently platitudinous subject matter is presented in a refreshed way. Not getting held down by its cliched theme, this has an energetic tone that keeps it uplifted. Nevertheless, equally with problems and praises, something about Tequila Sunrise is drawing. Failing to provide coherent chemistry between characters, an integrated plot, or a methodized structure, this still holds your attention. Having a successful idea and running with it, this is a classic good bad film that is just dry enough to profit for entertainment. 5/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 7/10
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A Rainy Day in New York:
Storyline:
The story of two young people whose plans for a romantic weekend together in New York City are dashed as quickly as the sunlight turns into showers. A Rainy Day in New York tries to construct an in-the-moment type story that focuses on the what-ifs, yet it's missing the unspoken certainty that classic romcoms have. Trying to be bigger than what it's capable of halts its unique progression and only accentuates its amateur nature. Forcing emotions from incredibly weird lighting makes for fabricated and influenced emotions, in a bad way. The inconsistency, however, is where this becomes faulty. Along with the score, while there are plenty of appreciable and cinematic moments they complement, they are unmatched by the story and implemented at all the wrong times. Regardless, even with phenomenal and dedicated portrayals, the plot and relationships lack the connection between each character individually and their purpose in the film. Manufacturing a wooden representation of what life is simply "supposed" to be, Woody Allen focuses too hard on some aspects which let up on the rest of them. 5.5/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 4/10
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Jackie & Ryan:
Storyline:
A chance encounter leads to romance between a down-and-out, former country-music star and a guitarist drifter. Centering an entire film around two people with no spark and a relationship with no connection, it's safe to say this is more awkward than believable. Having no chemistry or purpose drawing either together, the bond is as fabricated as it is impractical. Including too many scenes to count that are random and thrown together, the story doesn't cohesively blend. While it's unarguably choppy and poorly edited, it rather fails in its poor storytelling. Jumping from subplot to subplot and aimlessly adding pointless details, the unplanned production outshines any entertainment value this might have had to go for it. Truthfully struggling to be logical or proving itself to be relevant, Jackie & Ryan doesn't make much sense. Having dulled down performances from actors of more talent and plot holes thrown out left and right, the only appreciable characteristic is the talented soundtrack - which even then, was an entirely different plotline. 3/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 3/10
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Two Weeks Notice:
Storyline:
A dedicated environmental lawyer works for a billionaire in agreement to save a community center; after learning the job is much more than she thought, she puts in her two weeks. Although this film is the same rom-com story with a different setting, Two Weeks Notice casts two independently lovable characters that find a way to compliment the other. Thriving off nothing besides the dedicated hopeless romantics and entertaining banter, this is without a doubt a bad film, but good enough to keep you involved the entire time. Timing the predictable, but satisfying conflicts cohesively, the plot had an easy progression that developed a feel-good tone. Skimping on the character development, lack of attention to detail, and telling the audience how to feel rather than showing them comes as no surprise due to its rudimentary construction. Failing to make anything unique, this blurs into the rest of the genre too easily no matter if it was moderately funny or romantic. While this is not a complete waste of time, many other things are easier to re-watch and feature more of the pizzazz this was missing to make it a must-see. This doesn't deserve the title of a good bad film, rather a bad film that is watchable but not recommendable. 4/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 6/10
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27 Dresses:
Storyline:
After serving as a bridesmaid 27 times, a young woman wrestles with the idea of her sister marrying the man she's secretly in love with. Being one of the easiest things to watch over and over again, films like these just don't get made anymore. Having the balance of not being well made, but extremely entertaining based on its cheesy construction, there are more things love and enjoy than nitpick. With two lead characters that are more than personable, the progression thrives off their banter and sensible relationship. Given the annoying supporting characters are only included for comedic relief, they serve a purpose. Complimenting the story with normal circumstances and dumb dialogue, the two intertwine cohesively to provide the rom-com that pleases everyone. Considering everything involved in this film along with the classic Bennie and the Jets scene is enough to make this a must-see. Having the fair share of predictable moments and misplaced scenes, while they are there and noticeable, they are just as easily looked past. Pleasing the hopeless romantics, 27 dresses is a good bad film that's comical, amusing, and consists of equal, sensible parts of romance and comedy. 4/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 7/10
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You've Got Mail:
Storyline:
Book superstore magnate, Joe Fox, and independent book shop owner, Kathleen Kelly fall in love on the Internet, both unaware that he's trying to put her out of business. Despite the idea of this film being rational, this becomes quite unrealistic in its screen time with its Hollywood characteristics and circumstances -- however, that doesn't matter, as this is terribly entertaining regardless. While it comes as no surprise that this is foreseeable and diligently predictable to a tee, there isn't much special with this. Being the epitome of a 90s rom-com, there's the expected wholesome feeling, dull dialogue, and common finale. Yet, there still is a sense of suspense and adventure, as no one can escape the drawing chemistry between Tom Hanks and Meg Ryan. The lack of a plot comes with the progression of a charming relationship that develops on screen, which is enough to hook the audience. Being more romance than anything else, speaking from a rom-com entertainment standpoint, this could have used more com to balance out the rom. Nevertheless, this is a classic good bad film; You've Got Mail has an undeniable pull on hopeless romantics that makes for a lovable, rewatchable, cheesy, and cliche film. 5/10
The BAM! rating is a newly integrated rating scale in addition to the critic rating each film gets. BAM! is simply the entertainment value that is solely based on whether or not a film is worth watching. A film can have a high BAM! rating and a low critic rating or vice versa. 8/10
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Endings, Beginnings:
Storyline:
A woman unlocks the secret to her life through love and heartbreak after meeting two best friends at a party. Prefacing a film around a protagonist that is not worth the screen time develops an uneven flow to a plot that had no purpose in the first place. Diving into a modern touch on a heavily seasoned concept, Endings, Beginnings is far from being worth your time. Considering the performances were fitting and had effortless chemistry does not mask the fact that the screenwriting was bare. Giving no development, context, or energy to any party involved designs wooden characters that are hard to relate to; in turn, it is hard to look past the outstandingly poor script/characters to see the promising actors playing them. Furthermore, editing with an attempt to be modern and artsy, the overwhelming unpolished finish feels childish. Failing to grasp any sort of a cohesive or stabilizing factor, the vibe is tense and so is the progression. Although the ending was averagely inspiring, it takes dedication from an active watcher to find the positives. Failing to provide a spark or truthfully the willpower to find this worthwhile, this is difficult to get through and struggles to find its voice. 3/10
3/10
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Monday:
Storyline:
When Micky and Chloe meet, they instantly have a connection that leads to a weekend fling, but a hot-headed relationship can take a toll. It's easy to appreciate how laid back and lifelike the real interactions are between the two individuals within this film, yet it succeeds in an artsy direction but fails in its presentation. Having more things than not to notice and love the uniqueness, when everything is put together, it's a random combination of information rather than a consistent feeling. However, beginning and ending on such an abrupt, bold note, leaves room for questions. Provoking thoughts after its screen time, the few intricately placed scenes revolve around the audience's interpretation rather than what's put in front of them - which brings some important and beautiful themes along the way. Nevertheless, depicting two individuals that were weirdly in love in their way, the performances were raw and confident. Without a doubt was this odd and not the common idealisms, it's different in a good way. Considering this is teamed with the random combination of details thrown in the second act, take it with a grain of salt, as everything there is love, there is an inconsistency that slightly ruins it. Regardless of Monday's issues or praises, this is not rewatchable. While it is not necessarily recommendable either, it has its faults and its admirations that equally play a part. 5/10
6/10
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The Photograph:
Storyline:
After the passing of a famed photographer, her daughter investigates her past, which leads to an unexpected romance with a journalist. Despite feeling like every other romance that features flashbacks as its main attraction, this is quite engrossing for how cheesy, predictable, and incredibly conventional it is. Genuinely having nothing creative within the construction, it had a relaxing progression that keeps you reeled in till the end. Issa Rae and LaKeith Stanfield, however, were exceptionally candid. Providing a drawing, offbeat chemistry, although the story intertwines their relationship in a way that is not suiting, their unspoken communication is transferred through the audience and holds the plot together. Nevertheless, even with a raw protagonist-driven relationship, that can't completely save a plot that doesn't have depth. Scrambling to find information to fill the missing pieces within the two timelines, there was a lack of development between the two individually and put together, making for a film that is the standard, non-changing, mainstream product. The Photograph, while it has its clear productional issues, is worth the watch simply because of the untraditional chemistry that is honorably wholesome. Although this is not perfect, it achieves its goal for the targeted audience and deserves to be seen at least once. 6/10
7/10
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While You Were Sleeping:
Storyline:
A hopeless romantic Chicago transit worker is mistaken for the fiancée of a man that's in a coma. Easily fitting into the category of a feel-good, easy-going film, While You Were Sleeping may be overly predictable, but is so entertaining it goes unnoticed. Providing chemistry that can't be faked, the flow was created by an ever-so-natural current that developed anticipation within its screen time. Targeting the hopeless romantics that want an easy, happy ending story, this delivers on what it advertises. Having the fair share of awkward, cringy, stereotyped, and non-believable moments, while they don't overtake the plot, they are there. With this, though, the quite realistic feeling this portrays is what makes this unique. Having a situation that's presented rationally by a personable protagonist makes for the "not-so-believable cheesy movie" out to be something that you can wrap your head around. Fulfilling the needs of romcom watchers with this film, there isn't much of a better product that is easy to re-watch with fun and pleasing reactions each time. 5/10
8/10
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She's All That:
Storyline:
Taking up a bet to turn a nerdy outcast, Laney, into the next prom queen, Zach takes up the seemingly impossible challenge. Because She's All That is too exaggerated on real life, it's hard to grasp an undoubting, realistic feeling. Considering this, while it's not the ideal feeling in a rom-com nor was it the right execution-style for this storyline to be something recommendable, it was consistent. Within every over stereotyped character and embellished minor conflict, it is expected and its downfall. The vibe, casting, and soundtrack, however, were constructed quite well. Effectively manufacturing a steady tone that never failed to match the characters, though the story itself needed work, at least the feeling was there. Moving on within each blocky portion of the film, not only was it overly predictable that it became boring to watch, but it didn't even feature a build that created any anticipation. Unfortunately, this didn't feature anything creative, leading to a plot that is just like everything else (and isn't even entertaining in the meantime). 2/10
4/10
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Crazy, Stupid, Love:
Storyline:
A middle-aged man is down on his luck after his wife wants a divorce. With the help of a new friend, he learns how to pick up girls at the bar. For what it's worth, Crazy, Stupid, Love is mildly entertaining for its screen time thanks to its personable leads. Struggling to keep a level-headed mindset within a storyline that was begging for a lifelike situation, this is an average rom-com that is funny enough to be seen but not funny enough to be a must-see. Without Steve Carell and Ryan Gosling, this would be nothing. The spontaneous and built-in chemistry between the two creates a convincing tone. However, the issue lies within the presentation of the details, as the story they were put in feels just as forced as the title that does not correlate to the plot. While I would classify this as a passable level of entertainment/humor, the bumps in the road lie in the execution of the involving idea this once had. Not to mention the star power that doesn't make sense, the blocky humor, or the unsurprising finale, this is a bland, but attention-holding film. 6.5/10
7/10
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How to Lose a Guy in 10 Days:
Storyline:
Ben and Andie meet at a bar. He is an account executive that claims he can make any woman fall in love with him in 10 days and she is an advice journalist that claims she can make a guy leave in 10 days. Though so much can be said for this type of overused storyline and typecasting, given this is too good to be true, this might not succeed in a solid story, rather an entertaining film for the hopeless romantics. While there is a fair share of cute and wholesome moments, something needs to be said for the cringy and awkward ones. Given that this wasn't made to be cinematic (or well-made for that matter) more instances than not, no matter how unrealistic, were poorly created, consisted of fabricated lines, and were hard to watch with a straight face. With all things considered, though, How to Lose a Guy in 10 Days is an easily rewatchable romcom that you know what you're in for. The effortless chemistry is engaging and even filled with a little bit of a rough plot, it is still enjoyable and fun. 4/10
6.5/10
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The Longest Ride:
Storyline:
The lives of a young couple intertwine with an elderly man who tells the story of his decades-long love. Being a Nicholas Sparks film, as I have said numerous times, you know what you're in for. Taking individuals from different worlds and making the opposites fall for each other, the foreseeable and obvious conflicts that arise are nothing particularly involving and/or creative. Casting leads that fit the persona of the character makes for great surface characters, but poorly developed ones. Truthfully having nothing besides pretty people as the leads, there was a major lack of dedication, chemistry, and authenticity in the performances. Feeling as though it was harder to find their spark and live in their fake moment rather than noticing the inadequate and transparent portrayals, it's safe to say the believability was next to nothing. However, the incohesive editing and rudimentary dialogue were just as much to blame for this failure in many aspects. Jumping between timelines was not the issue, instead, it was the choppy cuts between the two that made for a nonexistent flow that was much needed. The Longest Ride is nothing more than a romance that relies on its loyal fans to make money; this is a nothing-special plot, has dull performances, and is a mediocre level of entertainment. 3/10
4/10
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Someone Great:
Storyline:
After getting dumped by her longtime boyfriend, a music journalist and her best friends go for one more night out before she moves across the country. Despite the overwhelming critical issues this film faces, like continuity issues, random and extended shots that were useless, and distasteful concepts to name a few, Someone Great is an idea that is too overly used to be anything monumental. Frankly, the characters were more annoying than anything. Given that their dialogue was excessively obnoxious, this repelled me from enjoying them. However, this feeling from the characters is a perfect example of what the film as a whole was struggling with - this tries too hard to be the funny and relatable thing that it thinks everyone wants, which in turn, it becomes the opposite. Ending with a monologue from the protagonist that is supposed to hit home and be her "dramatic" character arc, this was nothing more than a guessable turn of events. Nothing within this can make up for the typical and forced characters, even if this had a life lesson that was cheesy, but important. Regardless, by trying to be what it thinks everyone wants it to be rather than finding it on its voice, this film falls into a category that many others within the genre do as well - forgetful, mainstreamed, and too cliche. 5/10
5/10
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Holidate:
Storyline:
Fed up with being single on the holidays, two strangers agree to be each other's platonic plus one's all year long. Why anyone wanted and/or was willing to be a part of this film will be a lingering question. Being worse than a Hallmark film (which are made bad on purpose), this in turn sadly felt as though everyone gave their best efforts to make an overly crude Hallmark adaptation that is nothing more than a quickly forgotten film. As visibly terrible as these performances and entire production were, it's not easy to find even the slightest amount of entertainment from this. Exclusively entailing dull and utterly cringy dialogue, while it's easy to pinpoint that the story was written horrendously, the below-average performances and execution only heighten it. Having every interaction come with some sort of a ridiculous hoax to be a "real-life" situation, all of it was overwhelming. Sealing the deal with a terrible ending monologue, while Holidate tries to be funny and heartwarming, it's far from it. Being a film that never finds its voice throughout the story, forces chemistry that is non-existent, and throws in too many raunchy lines, this is as unnecessary as it is scrambling to hold your attention. Predicable, unsatisfying, and too many continuity issues to count, it's safe to say that this is not worth the time, didn't need to be made, and is a dense story. 3/10
3/10
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13 Going on 30:
Storyline:
A teenage girl who is sick of her life in junior high wishes to be 30 and live her life freely as an adult. When her wish comes true, turning into a grown-up overnight, she realizes more challenges come with adulthood. While this is quite a seasoned concept within the Romcom world, in one-way shape or form, this will still satisfy it's targeted audience by (spoiler alert) providing a happy ending, hopeless romantic film. That being said, the predictability and overly awkward/cheesy interactions can make for more of a critical watch than a relatable one. The issue that arises within this film is not the concept itself, rather the execution. Consisting of sloppy editing and a topic that fails to continuously hold your attention, this doesn't have a draw that will keep you reeled in for its entire screen time. Including pointless characters, more plot holes than a solid plot, and jumping from one scene to the next is just the tip of the iceberg in terms of aspects that were not done as well as they could have been. 13 Going on 30 has its iconic moments, sparse but funny lines, and a heartwarming message, yet is artificial in doing so. Never achieving a personal vibe or having the protagonist feel on the same level as the audience makes for a film that is easily forgotten and is nothing special. 5/10
5/10
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The Last Song:
Storyline:
A rebellious teen, Ronnie, and her younger brother, Jonah are sent to spend the summer with their father on the beach. If you're ever in the predicament (which we all have been in) where you want to watch something sad that lacks decent storytelling this is the film for you. While it's hard not to point out the wimpy acting, poor execution of the storyline, and much more, even I can admit this hits your feelings even though it's not that great. Although the performances were dull-witted, the dialogue was much more to blame for the so-called personal love story. Each line was foreseeable, had stereotypical interactions, and featured montages that just were not realistic. That being said, the select few well thought out moments were substantial enough to even out the rest of the careless film. The moral of the story here is that everyone knows what they are getting themselves into when it comes to Nicholas Sparks' books/movie adaptations - dreamy, heartthrob leads, and a sad subject manner/conflict to satisfy the hopeless romantics out there. While there are many, many things to pick apart within this film, The Last Song provides an entertaining, cry-worthy story no matter if it's a good film; sometimes bad cinematic films make for easy-going ones that are devoted to hitting your emotions while passing the time. 4/10
6/10
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The DUFF:
Storyline:
A high school senior has a rude awakening when she realizes she's the DUFF of her friend group - the designated ugly fat friend. She has a charming jock help her reinvent her look. The DUFF is one of those films that has the stereotypical opening monologue from the "relatable" protagonist which soon leads to a coming of age story, the guy getting the girl, and a self-accepting, happy ending story. Though one of the most seasoned concepts within Hollywood, this is quite entertaining and light-hearted, even when it's incredibly basic. The script, storyline, character development, or anything else you can name was the furthest thing from an original concept. Pulling aspects from every major production, on top of this, it was extremely cringy as well. Nevertheless, it still gets a laugh from the audience and leaves them with a smile. Just about every other scene there was a drawing instinct to pull away because of the second-hand embarrassment that comes with watching, yet that makes this film what it is. It is by no means perfect, nor is it necessarily good, rather it's entertaining on an easy-level. Meaning, this gives the expected feelings that you would want when watching a film such as this and delivers on providing a self-worth message. No matter how mainstream this gets, it keeps you watching until the end and for the most part, is enjoyable. 6/10
6.5/10
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The Fault in Our Stars:
Storyline:
Hazel Grace Lancaster, a cancer patient, meets and falls in love with Gus Waters, another cancer patient from her support group. Say what you want about such a cheesy teeny-bopper film, but it indisputably hits home. The Fault in Our Stars has its flaws that come with the production of the cinematic elements - rather the lack of it - but prospers with the personal chemistry. Few films have the power to make me cry, as this does, and I never will find myself not shedding a tear. The connection between Shailene Woodley and Ansel Elgort is beyond compare due to the raw and absolutely pure affection one another have. The simplistic development is incredibly effective, as either party showcase their journey intently. While I can forgive the non-rationality that comes with certain aspects, like the severity of their medical conditions, odd parenting, and an absence of a time frame, that was clearly not the purpose. The easy-going and quite realistic teen dialogue overtakes your attention; an undemanding, yet effective bond of a sad subject matter, to begin with, compels the viewer within the first few moments on screen. Either reading or watching this story is different, but good in their own way. This film takes the audience on an emotional ride with a life lesson that can reign true for any reality and is worth it. 7/10
7.5/10
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After We Collided:
Storyline:
Tessa finds herself struggling in her relationship with Hardin as she navigates through her life with a new job and opportunities. Truthfully coming from the first film, I didn't think it could get much worse; even though After was a terrible film, it still was a guilty-pleasure-sort-of-story being so bad it's good. Yet coming in hot with the second installment loses any sort of dignity there was for a plot, a terrible introduction of new and returning characters, and not to mention the outstanding continuity/cinematography issues. Even by comparing this or standing alone, there is nothing to say about the performances besides the fact they were ridiculous. By absolutely no means was there any ounce of effort from any party to provide a realistic, personable, or authentic character. While getting an R rating was noticeable, it didn't heighten the ongoing storyline. Throwing character development away and including numerous instances that simply didn't make sense created a jumbled, messy film that has more issues than praises. After We Collided was a disappointment cinematically, for obvious reasons, and even from an entertainment standpoint, as it wasn't captivating in the slightest and was quite treacherous to get through. 2/10
2/10
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2 Hearts:
Storyline:
While a college student falls in love, in a different decade/place, a Cuban businessman falls for a flight attendant; the two have no idea that their lives will soon intertwine. Even though there was absolutely no point to anything within the entire film, the purpose/importance of the true story didn’t come close to shining. Struggling to find the deeper meaning and/or the reason to the audience, having a terrible concept for the plot, horrendous execution, and awful performances all contribute (along with too many other aspects to count) to how 2 Hearts is dreadful to watch. The subplots and plot holes were developed further than the center of attention. As advertised, nothing came from it and makes you check your watch every few moments. While the entire second half of the film targets your emotions, though undeniably a touchy subject matter, this effect isn't transferred to the audience because it didn't make sense. Being incredibly long and extended for no apparent reason, the sadness has no context to back it up, so it was extravagantly invalidated. As anyone can gather from this review, this is not worth your time. In addition to everything that was done poorly, the many continuity issues add to the fake feeling this gives off. While I'm sure the real-life story is a heartwarming one, no one would have any idea after only seeing this. 2/10
2/10
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Yes, God, Yes:
Storyline:
A Catholic girl finds herself having tempting thoughts after an experience online/group retreat. Although this is not my type of film, I can admit how well written it was. This effortless script of the awkward, coming of age type story doesn't usually feel as normal as this. However, the uncomfortable performances were so outstanding, the second hand embarrassment was too much for me to easily recommend this film. Being a teen in this day and age is widely different than 20 years ago, as this was explaining and easily showcased. Yet, the issue lies within the execution of these ideas, as they were meant to be uncomfortable, but the line between purposely uncomfortable and awkwardly uncomfortable is so delicate and was not treated as such. Having an off-putting vibe toward the story the further it progressed, though realistically written (for the most part) it is too cringeworthy to be anything substantial. Yes, God, Yes brings to light an authentic concept that doesn't usually get shown through in film but lacks the relaxed and personable notion that follows with a realistic character development/struggle. 3/10
3/10
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Ghosts of Girlfriends Past:
Storyline:
On the eve of his brother's wedding, a committed bachelor gets a visit to the spirits of his past girlfriends to see if there is a chance at him finding love. Surprisingly, this was fairly witty and quick on its feet. While the creation of the story is incredibly predictable, the script itself - while having its weighty moments of being extravagantly stupid - was decently funny. Neither being significantly a comedy or romance, the vibe within wasn't anything transferable. Featuring the fair share of cringy moments, the intention of having the hopeless romantic feelings come from this was not anywhere close to being notable; genuinely being like everything else, this fails to be extraordinary in a genre that needs more individualized concepts. In face of the negatives, this did hold my attention, even though it was corny. Predictable lines, storyline, and character developments are just the tip of the iceberg in terms of aspects this could have done better (which includes the entire makeup of the idea, too). But, the takeaway is that being another cheesy, just like all the rest film, Ghost of Girlfriends Past is a good time passer. 3/10
4/10
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My Best Friend's Wedding:
Storyline:
Lifelong friends, Julianne and Michael have a deal to get married at 28 if they both are still single. Four days from her 28th birthday, Michael is getting married, to which Julianne realizes she's in love with him and vows to stop the wedding. While it is not the characters fault for being put into a seasoned and rudimentary storyline, it still makes for an overly predictable and corny film. The characters, as likable and personable as they may be, can only do so much when their place within the film is stuck with a lack of information. That being said, this is another film that I hate to say I enjoy because it truly is bad, but still is entertaining. The rocky dialogue/breaking the flow between scenes is what this struggles with, no doubt about it. Failing to cohesively line the chemistry between each of the individuals involved in the love triangle creates a drive from the protagonist that has no evidence to go from. While this doesn't change the purpose of the film, or even the feeling once it’s done, it's quite important to know who you're rooting for and why. With its apparent issues, My Best Friend's Wedding is incredibly rough in critical terms - being non original and shortcomings of viable information are just the start - however, the BAM! rating this film has is the opposite, getting you completely invested in something that has no explanation as to why. 5/10
6.5/10
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The Broken Hearts Gallery:
Storyline:
An emotional hoarder of past relationships, Lucy, starts an art gallery of these souvenirs with the owner of a hotel, Nick, whom she just met. It's genuinely difficult to peg which aspect was the worst part of this film as both the numerous uncomfortable circumstances and just purely bad story writing both play an incredibly heavy factor. While just about little to no part of this film was decent, don't even waste your time watching the trailer. The ammeter and dreadful acting within this was something I don't know how to phrase into words to get my point across. Being sincerely abrupt with every emotion and "character development" (in quotes because it was far from any sort of development), not only did this result in a fabricated, forced feeling from the beginning but didn't help the predictable plot in pleasing on even an entertainment level. While Dacre Montgomery was just about the only semi-average portion of the story (which still wasn't even decent), in addition to the single pop culture reference to the film Working Girl, The Broken Hearts Gallery is far from an enjoyable watch that I truly have no idea as to how it got produced or positive reviews for that matter. 2/10
2/10
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After:
Storyline:
Tessa Young is a dedicated student and a loyal girlfriend. When she leaves for her first semester at college, she meets Hardin Scott, who makes her question everything. Truly, before anything else is said about this story, this is by no means a good film. Just as simple as that, it has nothing going for it - a predictable storyline, cheesy lines, and a cringy plot. There was no setting of the story. Consisting of no relevant or useful background information, this started in a place that needed something more to it. The lack of information acts as a reminder that there was no rationality to this story and it never grasps a real-life feeling. Having a nice progression to the story comes from the effortless chemistry from the protagonists. While the story the two were thrown in felt forced, never did their relationship. Holding the film together, this and the soundtrack were the only true positives I have to offer. Considering the number of negatives this has, they never hinder the captivating draw that this puts off. Being a perfect example of a film that is so bad, it slightly becomes good, After finds a way to keep you hooked until the end, even with its numerous and prominent problems. To which I am even ashamed to admit I am rather excited for the sequel. 3/10
6.5/10
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The Wedding Planner:
Storyline:
When a wedding planner lands her dream gig and dream guy on the same night, she realizes that the soon-to-be groom is the same "dream" guy. Even just from taking a glance at the cover, this screams "cheesy, hopeless romantic" - and you would be right to assume. Casting everyone well, there was a common mindset as far as everything having chemistry that clicked well, but felt forced into a storyline it didn't belong. Filled with instances that were unrealistic and staged, the connection and relationships weren't enough for anything to feel tangible. Though this is the Rom-Com that's for the happy ending crowds, you know what you're getting into. However, this was not a comedy or a romance, as neither aspect was very prominent. This got zero laughs out of me and didn't find the right things to say or do to make me even judge it positively from a romance standpoint. The Wedding Planner is not terrible by any means, alternatively, it is just nothing special. Never finding its voice within the story lacks to produce a message and by being neither a romance nor a comedy either, it never finds its voice within the film world. 4/10
4/10
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Playing It Cool:
Storyline:
A man falls in love with a woman who is already engaged, despite agreeing to a platonic relationship. Sincerely, this is one of the most poorly made films I've ever seen. Having the feeling of an awful, unprepared B movie is truly an understatement, as this was not dealt with any care, love, or rationality. Considering the amount of famous, talented, and well-known people in this, I was expecting this to be slightly better. The narrating was incredibly awkward and not relevant; coming and leaving at any time made for a lack of a personal connection and killed the flow of the film. The predictability of this was to a new level, honestly. The feeling of each character delivering their lines was as if they expected the happy ending would be at the end of their sentence every time. There was no depth to these one-sided characters, which was not helped by the dry, cringeworthy dialogue. This wasn't even enjoyable on an entertainment scale (BAM!), either. No one fit their roles, the whole production was sloppy and not to mention, the numerous other subplots this tried to take on. 1.5/10
1.5/10
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The Kissing Booth 3:
Storyline:
It's the summer before Elle Evans is set to head off to college, and she has a big decision to make. Given its no fault but my own, as I chose to finish this utterly painful-to-get-through series, the only positive The Kissing Booth 3 has to offer is that it is the final installment of this trilogy. By just barely having enough pizazz for one film, it's pretty easy to guess how this film followed its cheaply done predecessor. Although it comes as no surprise at this point to find these storylines to be nothing but random subplots and a plethora of information thrown in at once, there isn't even an ounce of consideration in trying to make this make sense anymore. Being a hodgepodge of fake teen interactions and the epitome of a poorly done teen Netflix rom-com, this was nothing more but a money grab. Still finding a way to make the audience slightly invested in the moments that brought this to life originally became a lost cause without the likable aspects they once had. Developing on whinny and annoying characters, their conflicts, no matter how weak they may be, are plainly unsatisfying. Due to their wooden presentation and poor implications of a "meaningful" message, while overly predictable to begin with, this lacks the much needed entertainment value from a see-through concept. 1.5/10
1.5/10
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The Kissing Booth 2:
Storyline:
After a romantic summer together, Noah is off to Harvard and Elle heads back to high school for her senior year. Once again, a Netflix high school film filled with inaccurate teen representation and stiff acting, I can't say I'm surprised considering the first installment. This was way too long and kept throwing conflict after conflict on the screen every few minutes. By having a new issue every chance there was made for no protagonist development and giving off an even harder time for the audience to relate. Due to the awkward acting and cringy dialogue, across the board, there was nothing to make it feel real. As I can admit that this film is so bad you feel like you have to watch it all the way through, that's exactly how the first film was. This was the same storyline (except for the hundred subplots this installment decided to include), just a different time frame. The Kissing Booth franchise would not surprise me if they came out with another film, as it was set up for one, regardless if it's worthy of it - spoiler alert - it's not. 3/10
3/10
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The Notebook:
Storyline:
In the 1940s, a mill worker and a rich girl fall in love over the summer, but her parents don't approve. When they both find each other after a long time, they realize nothing is over. Having the right intentions in mind with the dialogue, it stumbled upon getting to where it wanted. Filled with foreseeable lines that the hopeless romantics are waiting for, this still provides the same meaning but in a dull sort of way. However, the undeniable chemistry between Ryan Gosling and Rachel McAdams is what this had going for it. Providing two unique individuals that set the story and carried it along, this relationship targets every emotion. While this has its fair share of critical issues throughout its take, the targeted audience does not care about that in the slightest. This is made to be heart-wrenching and you can get pretty involved if you let yourself. It is hard to get me to cry in a film, as this wasn't tear-worthy for me, but it was a simple and sweet romance that many deem tear-worthy. 5/10
7/10
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Drinking Buddies:
Storyline:
Dating other people, two co-workers try to deny their attraction toward one another. Having a different approach toward this genre, this runs off an unusual, but sensational tone through a large majority of the film, but fails when it faces the climax it was leading up to. Choking under pressure, this was in the works of being something that could have been very moving but instead ruins the story with a faulty ending. Developing an odd selection of main characters, the development and their bond was what held it all together. Providing excellent performances and casting, the core four of this cast have unorthodox chemistry that just fits as the plot. However, while this had a feeling of nothing too propper or professional, the ending fell into a category that did. The disagreements that lead into the tension for the last few minutes felt more as if it was played safe, with a typical ending rather than a substantial, meaningful one. In doing so, this is nothing I recommend, as it became more messy and unorganized as the film progressed. 6/10
4/10
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Palm Springs:
Storyline:
Stuck in a time loop, two wedding guests develop a romance when they are living the same day over and over again. Being one of the most seasoned and overused types of storylines in Hollywood, I don't know why I got my hopes up so high for this. While I can argue that it brings something new into the film world right now, that doesn't make this anything to praise. Without Andy Samberg's humorous personality, which wasn't even used to its full potential, this would have struggled more than what it had. He carried this film to a new extent and even with him (who I think is incredibly funny) I wasn't as impressed as I should have been. Falling into a routine of stereotypical lines and plot, this never achieved a personalized story. The first act was a rough go about. While it picked up and started to get its graces later in the film, opening cold and not appealing was not the way to go. Overall, this struggled to balance everything out. There was an unsteady route to the story, which was driven by an unclear tone. Although I was entertained and got a laugh out of a few things, this was just surface funny, as nothing was truly amusing. This is one of those things where you laugh because you were supposed to, not because you want to. 6.5/10
6.5/10
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Jerry Maguire:
Storyline:
A hotshot sports agent has self-discovery, gets fired, and tries to move on by becoming an independent agent. Having not seen this in a very long time, truthfully, I forgot just how awkward this is. The core of this story strives off a quirky relationship with a well thought out plot, and to be honest, it just works. The amount of quotable lines and famous phrases that came out of this is priceless. Not to rip on this, because I like it, but you just wouldn't expect it to be from a film such as this. This 90s Rom-Com with good ol' Tom Cruise shouldn't be doubted, and this proves my point - which, as I say all the time, he just makes good stuff. At first glance, this seems like a chick flick for hopeless romantics, and while this will satisfy that crowd, it also is more than what it seems; its extensive plot goes through more than just a lighthearted concept and turns out to be a far-reaching, radical notion (even with a cheesy and predictable ending). Skimping out on the developmental aspects, its no cinematic masterpiece, but it for sure is a good time. 7/10
8/10
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Newness:
Storyline:
Navigating through a relationship that started through a dating app, Gabi and Martin are in over their heads when their relationship starts to push boundaries. This film was just not created with care. It wasn't bad because it was about relationships that aren't viewed as “normal” within society, rather because it was poorly done. It tried to tell an epic love ballad but got caught in the crossfire of social idealism and no direction. Though this film had a clear directing focus, the plot was not on the same playing field. Trying to express emotions through the visual storytelling definitely did not go unnoticed, but since it was teamed with a lack of information storyline, there was no substance to go off of. The supporting characters were more of a distraction rather than a help. While they tried to add a background to the protagonists, there was no draw or even relevance to them – they seemed like another way to add an extra few minutes to the film. Lastly, I'd like to highlight that this film wasn't dreadful, instead it was a very, very, rough ride. It had a positive tone from the filming/camera work and had a lighting scheme that was spot on with its emotions. However, even though I am all for exploring films with controversial social standings (such as this with open relationships, monogamy, polygamy), the lack of details, planning, and creation of this film fails to provide anything worthwhile. 5/10
2/10
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The Half of It:
Storyline:
A shy girl who runs a business of writing essays for her classmates takes a job to help a school jock win over a girl, who they both secret like. I genuinely really wanted to like this film, yet sometimes substantial things stand in the way for a reason - which is to be talked about. As in this, for a majority of the film, I can say it was sophisticated and intriguing, but the life lessons and finale suffer from basic life meanings that are just too mainstreamed to make this story shine. The general concept is one that has variations throughout Hollywood, but it takes its journey on this typical story. The personable characteristics that build throughout for every character make for an incredibly realistic adaptation of high school, romance, and life struggles. Considering this, though, all this means nothing when the original aspects this film strived from are thrown out the window with a typical and unrealistic ending. Not only did I dislike how this left things, but additionally, it didn't fit with the central concept and the protagonist's arc. Lastly, the cinematography and directing were incredible. Perfectly playing into a picture that calls attention upon its shots in a way that only helps the viewer feel as one with each character. Rating: 7.5/10 |
Grease:
Storyline:
Set in the 1950s, a musical based around Danny and Sandy, a couple who have a summer romance tested by the brink of high school. I am admitting my bias towards this film before anything else, as I grew up watching this all the time. Considering that, I haven't seen this in a very long time, so upon rewatching, I truly forgot how cheesy this genuinely is. Despite the uncomfortable and cringy makeup of this storyline, the successful and compelling nature this brings should be above everything else. It finds a way to be entertaining at any given time, can bring a laugh (whether it was intentional or not) and is just simply entertaining. Though I will classify this more as a "guilty pleasure" type of film, literally everyone should see Grease at least once in their life. Iconic films are labeled as such because they deserve it, as in this case, this simply is just a must-see for all. The soundtrack is hands down the best outcome of this. Even the songs that are not as well done as the rest, are still just as catchy and classic as some of the more mainstream ones. Each song has a purpose within the storyline and offers just another aspect that draws the audience into the characters. Rating: 7/10 |
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The Lovebirds:
Storyline:
A couple that is on the brink of failing witness a murder and set out to clear their names and solve the case. Despite the fact that this truly was destined to fail from the beginning, the lack of planning, and poor production, this film was slightly entertaining. It held my interest throughout its entirety even though it was filled with incredibly dumb circumstances. The leads were cast by funny individuals but were poorly paired together. While they had their moments as far as providing laughable moments on their own, their chemistry with each other is what failed. They were legitimately awkward and not in a good way that can add to the imperfect storyline, rather it only added to the forced relationship on screen. The story, as I mentioned, was destined to fail because of its obvious predictable make-up. Going in with low expectations is one thought process that should be held among all, as it makes the film more enjoyable. This rolls with what it has, which isn't a lot, but knows it's place. Although I wish it could have provided more than just a few purely hilarious scenes and more on the romance aspect that was skimped out on, this is an easy-going, time killer film. Rating: 6/10 Check out my video review for The Lovebirds! |
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The Spectacular Now:
Storyline:
Sutter, a popular partier meets an introverted studious girl, Aimee in their last year of high school. The two sparks an unexpected romance upon meeting. The one thing I think that should be noted about this film is that it focuses on a raw manner that not all films focus on. This has such a clear and direct focus that sticks to its agenda throughout the plot but falls off this path within the last few moments of the story. The chemistry between all relationships (big or small) within this film is substantial and is truly what carries the film. The numerous amount of awkward and physically uncomfortable interactions were the film as a whole. Though with this, it is the definition of high school relationships, individuals trying to find their purpose in life and life meanings that are expressed explicitly. The directing was, for lack of a better word, artsy. It called attention on itself for the more intense moments, which only added to the powerful message that this puts onto the viewer. With all these positives, there is a major negative that weighs this down. With all the development and clear struggles that the audience takes with the protagonist, the ending destroys it. It takes a standpoint, but flips it numerous times, which I was not a fan of, and frankly ruins the raw and different characteristics this had going for it. Rating: 7/10 |
When We First Met:
Storyline:
Upon meeting the love of his life at a party and becoming her best friend, Noah gets the opportunity to travel through time and relive the night to become the man of her dreams. Although this storyline is present in so many films and is very seasoned, this was a nice rendition of it. Even if it's predictable and the stereotypical rom-com, this is entertaining. If you take it for what it’s worth, you can find a way to enjoy it. This was predictable in its predictable aspects, and I mean this in the sense of the most foreseeable actions, dialogue, interactions, etc. were able to be guessed to a tee. This is the part of the film where you have to let your guard down and just casually watch it, as it's made for an entertainment factor. The comedy was actually the best part of this film. Despite the few scenes that were over-the-top (which you can always expect from a Netflix rom-com), Adam Devine shines in this role. He is utterly laughable in every form we see him, and he doesn't miss a beat in creating a personable individual for the audience to latch onto. While this film definitely is laughable, light, and a quick watch, it is nowhere near a recommendable story. Even with a funny script and a solid flow, this has no wow-factor or drawing aspects to anyone who likes or dislikes this genre. Rating: 5.5/10 |
The Perks of Being a Wallflower:
Storyline:
Charlie, a socially awkward teen finds that his new friends are leaving for college soon. Struggling with school, life and depression, it threatens to ruin his newly back on track life. The dialogue was so endearing. It was written with the keen development of three main characters that were connected by having nothing in common. The growth these characters took created a solid, tangible feeling which only added to the compelling story. The only negative I have to offer is the inaccurate teen representation. As far as the relationships, it was factually depicted and held the film together. All the other teen aspects, parties, school, bullies, etc., were the same mainstream teen film representations. I was bummed this fell into this because it knocks it off its unique pedestal just a hair. This is incredibly thought-provoking and leaves the audience with a message that is worth the time to think about. However, certain aspects were skimped out on. Having a few powerful scenes that question the brink between film and reality were done so successfully, while some chose not to go in the same level of depth as they could have. Leaving these scenes dry with no substance, it left a still inspiring story, but not as resonating as it could have been. Rating: 7.5/10 |
Lost in Translation:
Storyline:
An aging movie star and a conflicted newlywed unexpectedly meet in a hotel bar in Tokyo. Both going through a tough time, they form a bond that they both needed. As usual, Bill Murray lives up to his expectations by playing a similar but varied character that is relatable. However, this type of mid-life crisis character is present in so many films that it is starting to become worn out, no matter if Murray did an adequate job. Scarlett Johansson has done better work as well. Though her character was written to be reserved, she could have shined by doing more with what she had. Progressing through a very slow plot, its entirety seems pretty irrelevant in regards to the last 20 minutes of the film (which was the best part). The majority of the film went to mention multiple pointless characters that failed to be cohesive and bring unison in this jumbled storyline. While each scene might have had a purpose in some sort of way, it was done pointlessly and compiled meaningless scenes in comparison to each other. I will admit that the ending made the film much better, yet I still wouldn’t recommend this to anyone. It has no purpose or distinguishing factor to draw attention to itself. This is going for a "realistic" factor, but due to nothing standing out, it doesn't achieve such a feeling. Rating: 6.5/10 |
Her:
Storyline:
A recently divorced and heartbroken man is left feeling empty. Upon purchasing a new operating system, his new friend turns into a romance. This film achieves such an effortless and sophisticated feeling. It does so by turning an extremely unrealistic concept into something tangible. Never once does this concept seem unbelievable, as every part of this film is incredibly raw and accurately portrayed. The performances are outstanding. Joaquin Phoenix and Scarlett Johansson both are contenders for career-best performances. Perfectly conveying messages within their relationship, even with Johansson only being shown with her voice. Their undeniable chemistry is real and represents meanings in things other than their relationship. This film is visually amusing as well. By having a color scheme incredibly in sync within the protagonist's emotions, it accurately depicts feelings throughout the picture. The mood behind each scene easily moves to each act. Creating an incredibly unique and fresh idea, this film does not disappoint. Accurately portraying emotions, developing a relatable protagonist and providing a truly investing and compelling story, this is one of the best films I have seen recently. Rating: 8/10 |
About Time:
Storyline:
After turning 21, Tim learned that he could travel in time. Putting it to good use, he tries to find a girlfriend. It's pretty hard to get time travel films right, let alone throwing in a romance aspect to it as well. This unexpectedly was by far worse than I could ever imagine. Firstly, the leads had no chemistry whatsoever. The heart of the story - which was them - was incredibly ineffective because of this. Everything revolving them was choreographed and didn't achieve a personal effect. The basis of the story was not any better, either. Originating from a somewhat creative idea, the execution of this didn't go anywhere worthwhile. Starting with inconsistent narration, it leads to foreseeable events with filler scenes. This made for a messy organization and production of ideas. While watching a film, you always have to remember it's not real and is made for entertainment. Yet my biggest issue with this film is just how unbelievable and hard it was to get through. Ironically, the part that seems the hardest to make realistic is time travel, though that was the most authentic aspect. Because of the poor performances, storytelling and everything in between the two, this film failed to provide anything slightly intriguing. Rating: 3/10 |
Hairspray:
Storyline:
In 1960s Baltimore, Tracey Turnblad lands a spot on a local dance TV show and integrates the network. Featuring a star-studded cast, while everyone is incredibly talented in their way, no one tries to out-do each other. Having their part in the story and sticking to it, each individual provides a realistic adaptation that is polished and relevant. This soundtrack is amazing. When it comes to musicals, there are always the few individuals and/or songs that come to mind that just aren't as good. As for this, each song was equally as good as the next character singing it. By not having one bad song made for a killer soundtrack that is easily catchy enough to get stuck in your head after the film is over. While this film can get pretty predictable, that's slightly the point of a storyline like this. A musical romance film can get pretty stationary and expected at times. Although that is the nature of these, when it's done right, it can make it that much more entertaining. Also including crisp choreography and a somewhat corny script, this film is entertaining no matter who is watching. Offering more than just the typical musical, this brings aspects of other genres to provide a catchy story. Rating: 7.5/10 |
Call Me by Your Name:
Storyline:
In Italy of 1983, a 17-year-old boy has a romance with the doctoral student intern working for his father. Powerful, moving and emotional. This is extremely well done with few minor characteristics that were bothersome. It might have taken an unsteady way of getting to the final act, but it was tear-wrenching and heartbreaking, ending strong. The chemistry amidst the leads was equally awkward and charming. Creating a sense of uncertainty and confusion through the characters, it never failed to transfer the same effect to the audience. The only unnatural aspect was the age gap feeling unrealistic, as no one looked their age. The script effortlessly went hand-in-hand with the performances. Armie Hammer and Timothee Chalamet set personable and authentic roles with a raw adaptation, turning simple dialogue into a relationship between two people that needed each other more than they knew. The storyline lacked slightly in timing, but still fit the tone of the film. Taking too much time setting the story, the heart of the film was crammed into little to no time which was upsetting as the viewer. Rushing the parts that would have only heightened the turn of events into something more compelling was a letdown, as more could have been done. Nevertheless, the film on a whole was incredibly thought-provoking and inspiring, leaving it on your mind well after it’s finished. Rating: 8/10 |
Hitch:
Storyline:
Hitch is a dating coach helping a client in dire need. When his own tricks can't help him succeed in his personal life, he realizes the girl he's trying to win over isn't who he thinks she is. Although this is an unsurprising storyline, it never fails to make me laugh or keep me in tune. Having an easy progression, a not-so-predictable, predictable plot and a comedic driven script, this is a light-hearted watch. The not-so-predictable, predictable plot is meant in the sense where the feeling of a happy ending is clearly expressed throughout the entire film. There is a solid beginning, middle, and end, playing out a decent conflict. The set up was obviously staged and placed foreseeably, yet it never lost my interest. It created something that kept me involved in a way where I wasn’t just solely focusing on what was bound to happen. This featured multiple scenes that are cringy and uncomfortable to watch in a good way. Many times I caught myself laughing because it was too dumb not to. Throwing in scenes that genuinely didn’t play a purpose to the storyline, though were entertaining and some of my favorite aspects. This is one of those films where I hate to admit that I love it. It's easily rewatch-able, never misses a beat and achieves the perfect tone for a Rom-Com. I wouldn’t go as far as saying it’s something everyone needs to see, still I always find myself enjoying it when it’s on. Rating: 6/10 |
Set It Up:
Storyline:
Two underpaid assistants try to set their bosses up with each other so they can catch a break. Though this is predictable from the start, is one of the most conventional storylines and is not distinguishable in the least, I really enjoyed it. Having a double whammy by being like both a Netflix film and a stereotypical Rom Com, it was known going in, just by judging from its appearance. That being said, the increasing chemistry was not discrete or creative in building it. It was clearly stated and killed the suspense of whether or not there'd be a happy ending (even though we obviously know the answer is yes). The script is a love/hate relationship with me. Having multiple scenes that I thought were incredibly well done and targeted the right emotions, then on the other hand, there were the same amount that I thought were too cheesy to even let yourself enjoy, as they were just unrealistic instances. So, when its all mixed together, it makes you wonder if effort was lost, or it was bad on purpose. With all that in mind, the leads were casted well and offered something that was entertaining. While this is how most of these stories go, if this is something that interests you, it's a cute and easy watch. Rating: 5.5/10 |
Last Christmas:
Storyline:
Kate works in a year-round Christmas shop and has been down on her luck for awhile. When she meets Tom, her whole world changes when he makes her see the bright side of life. Within the first few seconds, I wasn't a fan of the tone. Having a feeling that it was rushed and unprepared, it was obvious by not having the audience feel in the moment or on the same page as the protagonist. The acting wasn't terrible, but having well known actors and a predictable storyline paired together, you would expect more from it. Both supporting and lead characters were filled with pointless dialogue and underdeveloped issues, creating alternate storylines. They were brushed upon the surface, but never gone through, which ultimately led to the purpose of the story being lost throughout its take and having a jumbled mess of both real world social issues and the simple, feel-good emotion from the film. In the face of these negative aspects, this wasn't hard to finish. It did hold my interest until the end and got better throughout the course of the story. But, with nothing special separating this film from its competitors, its star studded cast isn't enough to sustain this poorly written and developed story. Rating: 5/10 |
Saturday Night Fever:
Storyline:
Tony Manero is an average guy who lives for the weekends when he goes dancing. When he finds out about a dance competition, he recruits his partner and prepares. Taking into account that this was considered cool when this was made, it is still hard to watch with a straight face. Though the dancing, wardrobe, music, etc. captured the era well, its quite comedic now-a-days and creates a laughable, jumbled story. The storyline was all over the place. Jumping from the protagonists home life to his relationships to him dancing, nothing was seamless and quickly became chaotic. With numerous plot holes, there wasn't anything special that this had to offer. The amount of pointless characters within the film was more than the ones who mattered. Between underdevelopment and never having their importance established, there was no room for them to grow. Being used as time fillers, the excess amount of poor characters was bothersome. The soundtrack was fitting and appropriate according to the story at hand. Though John Travolta made me feel slightly uncomfortable when he danced, he found a way to match the beat to every song. Rating: 5/10 |
Plus One:
Storyline:
College friends agree to be each others dates at every wedding they're invited to. Having an informal feeling to the production, it made the film feel more like a casual story between two people you know, which ended up entertaining me in an unconventional way. For one, the acting was pretty trashy at times but also meaningful at other times, it was very inconsistent. It never really seemed to bother me too much though. Same thing goes for some of the supporting characters, while in certain instances it could have been better, it seemed relevant to the relaxed mindset. This was such a familiar storyline. From the foreshadowing to the suggested feelings to the obvious satisfying outcome of the story, it has been done before in every way possible. I appreciate the easygoing, straightforward approach, but it wasn't anything out of the box creative. The casting was pretty spot on. At first, I really wasn't a fan and wasn't interested in the weird bond the two had, but as it progressed, it hooked me. The awkward friendship turn relationship took a great course and showed the development of personalities. Rating: 7/10 |
Pretty Woman:
Storyline:
A wealthy businessman and a prostitute end up falling for each other when he asks her to stay the weekend with him while he's in L.A. on a business trip. Being one of the most commonly known films, it has a reputation when watching it. While its definitely entertaining and has its moments, I think it gets more recognition than its worth. Being a "modern take on Cinderella", it does create a personal feeling drawing the audience in. That being said, it talks about the hardships and struggles the two have, but never goes in depth. There was really no developmental aspects toward anyone's backstory. As unrealistic as this is, it almost felt like it could actually happen in real life throughout its take. The situations that happened paired with the progression of the film kept an upbeat mood, all the way till the end I thought this was true. The ending was very anti-climatic and typical, in my opinion. Being a Rom-Com, this really wasn't all that predictable compared to its competitors, but throwing an anticipated finale that was unoriginal didn't satisfy me. I think everyone needs to see this just for reference to everything else, but I don't want to see it again. Rating: 5.5/10 |
Killers:
Storyline:
Thinking marrying Jen would help get Spencer out of his job as a spy only worked for three years, until everyone he knows is trying to kill him. I liked the idea of the story, while everything was incredibly predictable and didn't have any development, it still was a different spin onto a Rom-Com that was entertaining for everyone watching. It really was hard to believe, though. While it is a movie, you have to let yourself enjoy it to an extent, just some of the explosions, action and fighting choreography was too scripted to feel normal. The character development is hard to specifically critique because there really wasn't any shown. In the beginning of the film, everything just felt too good to be true and just had an overall vibe that it just wasn't real, it never got to the level of being personal with its audience at any point in the story. Its comedic factors were funny enough to keep the mood up. Having a mix between one liners and dumb situations, there were plenty of times I caught myself laughing out loud. This isn't anything special and I would only watch for a quick story if there is nothing else left on Amazon Prime to watch. Rating: 5/10 |
The Kissing Booth:
Storyline:
Elle's best friends brother has been her crush her entire life. When she hosts a kissing booth at the spring carnival, her wish become reality. Being a Netflix film and a teen relationship driven story, it's hard to judge how much potential this had from the start, but it didn't amount to anything. I have seen this more than once and each time it just seems to get worse. The situations that were meant to be bold showing "strong characters" only made me uncomfortable by how painful the acting was. Just about every scene found a way to make me feel awkward watching it with its rough plot/production. The set up of their relationship didn't necessarily bother me as much as how quick the mood changed from being non-existent to overpowering, it went from 0-100 real quick. One minute she's a shy, innocent goodie-goodie and the next she's a liar who has completely different morals and a changed personality. There was no development of really anything. Her friendship with her best friend was the only thing that stayed consistent throughout which was neither good nor bad. Everything else consists of flat characters that never expanded on anything important. This had a heavy feeling of first world problems that didn't apply to the general public. It's targeted audience are unable to relate to the aspects of these teenagers lives as its just not accurate or captivating. Rating: 4/10 |
No Strings Attached:
Storyline:
Emma and Adam are lifelong friends who are tied together their whole life. They make a deal with their relationship and swear to not fall in love. The standard setup of the connection was the same as the rest of these kind of films. While its plot was something that wouldn't typically happen, the characters performances were relatable and drew me closer to the story. So, the cast saved this from being drawn out within its genre. Some of the aspects of the story were just too hard to overlook and not point out. On a whole, this is without a doubt entertaining, but some sections were just awkward, and not in a good way. It was more of it trying so incredibly hard to fit in, it made it stand out more because it wasn't effortless, it was noticeable. The humor had a good balance with the romance. Neither overpowered the other throughout the film. To sum up the story though, it is just a typical romance film targeting a specific audience rather than producing a solid film, but it achieves its goal and its audience probably wouldn't put this much thought behind it. Overall, this is a light hearted, easy to watch story. It's a quick, fun plot and has relatable situations and/or feelings that keeps a steady flow. Rating: 6/10 |
A Walk To Remember:
Storyline:
Following a love story between an aimless high schooler and a shy, quiet girl who he used to tease. Is this a good film? Yes and no. Yes, because of how captivating and investing the story becomes. No, because of how underdeveloped and honestly unrealistic it is in hindsight. But that's the key factor, hindsight, after the film is over is when these thoughts come, never does it disturb the flow of the story. I think this was casted well. The two main characters had a good bond and their chemistry showed throughout the film. While their relationship was obviously the focus of the story, it also branched into other life lessons without clearly stating them. The opening scene, along with some others were pointless and useless to the plot. There was absolutely no reason it needed to be in the story and was just time that needed to be filled. While this is incredibly sad, it also is relatable, has a personable script and hits the targeting audience with these feelings. It might not be the best thing out there in terms of cinematography and all the necessary skills to make a "good" film, but it's worth spending the time to see. Rating: 6.5/10 |
Cocktail:
Storyline:
A business major turn bartender starts his own bar in Jamaica, and finds a girl along the way. While this is a cheesy 80's Rom Com, it has some good things to offer: a decent plot, quality performances, and an entertaining script. Any film in this genre from this time frame are all about the same, but this was entertaining until the end and I never lost interest. It had enough developmental aspects of a backstory to create a working plot and produced an amusing picture. Some of the things that happened are somewhat hard to believe if I'm being honest, but in the way it was presented to the audience, it seems realistic. The meaningful performances from all of the characters helped create the genuine feel of the film. I do have to say that after first seeing this I wasn't as impressed as I am days after. It takes a little bit to sink in and realize the purpose, true meaning and really taking it for what it's worth. While this is somewhat of a corny film, it was a pleasing, light hearted, feel good movie with a wholesome idea around it. Rating: 6.5/10 |
Ghost:
Storyline:
When Sam is murdered by his corrupt friend, he's left as a spirit who can only talk to a certain psychic. He needs her help to save his girlfriend, Molly from danger. There definitely is a level of enjoyability to this film, but it is pretty cheesy. The chemistry between the characters was casted well. Not only the romantic relationship between the main characters, but everyones performances had fit well with each other with no one over shining anyone. At the time, I can see how this would be an interesting change to the industry, but seeing it now, it just seems unoriginal and predictable. The idea behind it was there, but the execution was just average with a clever storyline like this. I liked some of the things that was incorporated in this, though. There was some Sci-Fi aspects that were subtle, but still made you think. Along with some Drama and Romance, so it evened the pace out. The climax had a lot building up to it, then once it was there, it was very anti-climatic. It was anticipated and very bland, being similar to things that I've seen before, especially from this time frame. Rating: 5.5/10 |
Mr. & Mrs. Smith:
Storyline:
A married couple becoming bored in their life together soon realize that they both are assassins hired to kill the other. While no one thought their relationship on screen would develop into something off screen, that just goes to show how realistic their chemistry is. Never once did any interaction feel scripted or fake between the two. The supporting characters were strongly developed too, but didn’t overtake the story. While this is a Romantic Comedy, it offers plenty of aspects of Action & Adventure without shining over this relationship driven story. It has an even balance between the aspects and makes a suitable choice to satisfy everyone watching. The story itself is super intriguing as well. No one would think twice that such an out of the ordinary thing could happen, but it did and it never was questionable. It’s not predictable in the way it’s presented or shown on screen and is well made. The special effects were pretty entertaining as well. While nothing was too crazy, there definitely were scenes that had plenty of action choreography with high anticipation. Rating: 7/10 |
Chasing Liberty:
Storyline:
Anna, The President's daughter, can’t get privacy any time she leaves her parents. Thinking she is rebelling when her family visit Prague, she finds a British boy and leaves with him, but she has no idea he is a Secret Service Agent. Just from the brief description of the storyline, it clearly has a foreseeable plot, but it somehow managed to keep my attention. The plot being predictable wasn’t the reason I didn’t really like this, it was because of how unbelievable it was. While she thought she was having the time of her life and living in the moment, there is no way that anything related to this storyline could happen in real life, let alone to The President's daughter. On top of that, there were numerous plot holes and subplots that were noticeable and distracting. The acting reminded me of all the films in this era and genre, not made for quality, but quantity. Nothing in this film was memorable or distinguishable. I wouldn’t recommend this out of all the romantic films out there because there are definitely better things to watch. Rating: 4/10 |
Long Shot:
Storyline:
Charlotte Field is one of the most influential business women in politics and Fred Flarsky is one of the most opinionated, loud journalists in the field. When they see each other again after a long time apart, they both have something that the other needs. This is a quirky, no where near perfect, raw comedy. An unpredicted pair turns into a perfect bond. The chemistry between the main characters felt so in the moment and true to the story. I feel that this worked out so well because the characters were fit to the actors personalities in real life. Seth Rogen goofy and weird and Charlize Theron was uptight and needs to let loose. There were some plot holes that I noticed after the film had ended that never got answered or tied up, but this was something I noticed after the fact, not during the film. In addition to that, there were two classic Seth Rogen scenes that didn't surprise me that made the cut, they were over the top and exactly what you'd expect, but I am happy that they didn't over take the purpose of the story and were limited to the two. There were also many lines that I thought had unnecessary f-bombs and over the top swearing, but that's just the nature of his films. Last thing that I wanted to point out is the heavy feeling of political views and stereotypes. This was something that wasn't clearly stated, but I had picked up on with the subtle cues and an overall feeling of the production. With the main character being a politician, I did expect some topics to come up, but I would rather have nothing be said and people with different view points to still be able to enjoy the story without feeling offended. Altogether, this is a rom-com that's not like the others, which offers a strange, rare relationship we don't always get to see in the theaters. Rating: 7.5/10 |
10 Things I Hate About You:
Storyline:
Bianca is pretty and popular, but is forbidden to date until her older sister, Kat, who hates everyone and everything starts dating. Patrick is hired to take her out, until his feelings become real. The feeling of this story is not only predictable and unbelievable, but unorganized. Having many instances that would not happen in the real world, combined with forced lines and situations that didn't add up, the combination of all these scenes became noticeable. The directing and editing were inconsistent. Scenes were choppy and didn't have the same feeling the further you progressed through the film. The storyline had that rom-com classic script, twisted with this unlikely pair. The relationship between the two felt genuine and well maintained. The purpose of this was to be amusing, engaging and relatable to the viewers, it created these things with a few bumps in the road, but is definitely a good watch. It will be one of those films you will always need to see. Rating: 6/10 |
Five Feet Apart:
Storyline:
Stella and Will both are diagnosed with Cystic Fibrosis, which causes them to stay in the hospital a lot and are in high risk of infection, until they meet each other and struggle to stay the mandated six feet apart from each other. This was genuinely better than I though it was going to be, showcasing on the relationships and the unknown struggles of the teenage life with a disease. The acting is what really made this film. The truly raw performances of the two main characters made the story effortlessly flow and hit home to the viewers. It never felt as a formal film, rather it felt as an unscripted love story that you are incapable of turning from, and even though it was sad, it never lost my interest or suspense. The story highlights some things society might not ever notice, and it was interesting to see the light it shined on the main characters and people who struggle with these things in the world. That being said, there were just about one too many plot holes in this film that was almost becoming distracting from the story. There were many times things didn't add up or something just seemed unbelievable, but, this movie wasn't made for the stellar plot, so it was just something I noticed because I'm critical, but not a deal breaker. Overall, this film didn't have the heavy feeling some stories can give, it had a positive message and amazing performances. Rating: 7/10 |
Crazy Rich Asians:
Storyline:
A college professor goes with her boyfriend to Singapore for his best friends wedding, only to find out that he isn't who she thought he was. This is something that was not what I was expecting, but in a good way. The plot was well established. We got the background information needed in their lives in order to follow along and be there with them in the story, along with a steady flow that kept the film entertaining and engaging. That being said, there were some underdeveloped subplots, but it never ruined the flow of the film. The performances were genuine and believable. Between the happy-go-lucky and conflicted attitudes of the main characters, it created the feeling as though you were right there in the story, feeling the emotions of both. This rom-com had both aspects that were not overpowering, but enough to make you laugh and enjoy the story. The plot was super predictable, though. For this type of film it's almost unavoidable, and never ruined it because what you want to happen, happens, as this is a fairly tale ending. Rating: 6/10 |
What Men Want:
Storyline:
Ali is an under-appreciated female agent in a typically male dominating work force. In order to get more recognition in her field, she sees a physic to help her- which leads her to hear only mens thoughts. This is the exact storyline of I Feel Pretty and Isn't It Romantic, which goes like this: the female lead has a major problem in their life, they hit their head, their struggle is instantly fixed & combined with a fantasy power, and then they realize the only thing that has been wrong the entire time is that they need more self appreciation. That's it, spoiler alert for all three films, nothing original. Besides the lack of creativity, the whole feel of it felt messy. While the plot was obviously unoriginal, it felt rushed in development, relied on its failed comedic ways to carry it along, overused numerous aspects and had stereotypical, flat characters. I would say the bigger picture message fell short, but it was hard to figure out what was trying to be accomplished. There were way too many subplots, plot holes and things going on all at once for my interest to handle. Lastly, the film industry should be done with this storyline and I really hope it stops resurfacing. One time was enough, the second was weak, and the third was even worse that is not worth the time. Rating: 3/10 |
Say Anything...
Storyline:
Lloyd is a nerdy optimist who is trying to win the heart of Diane, a straight-A student who is on her way to London after summer. This is truly a heart warming story that will always be a good watch. While not everything is perfect, it's entertaining, funny, intriguing and a genuine story. This is a Rom-Com that actually offers solid humor paired with a natural bond between the characters. While the comedic aspects are laugh-out-loud funny, it never takes away from the point of the story, which is the relationship. How uncomfortable the relationship was is honestly the beauty of it. It's not perfect and is real, which never makes it feel scripted. Everything is right there in the moment and is pure no matter the mood of the scene. While there were subplots happening, they weren't bothersome. They were developed enough to keep the story going without becoming distracting. The solid performances from the supporting characters helped with this as well. Overall, this is an iconic film in history that will always stand out. Its quirky and unique and is a feel-good, inspiring story. Rating: 7.5/10 |
Dirty Dancing:
Storyline:
Baby goes to a seemingly boring camp with her family the summer before college, when she meets the dance instructor, Johnny, things change for everyone. While this is a classic film to the industry and is well known, its reputation doesn't necessarily live up to the actual film. Considering this was made in the 80's, things might be outdated, but the believability of it all just doesn't cut it. The secrecy of the dancing and the story in general just feels like a scripted movie, rather than a raw, personal story. The final scene will always be iconic. Though watching it now it can be cheesy and predictable, it still is entertaining and suspenseful leading up to the scene and finishes off on a high note. The acting is different. While at some points it can feel stiff and unnatural, it goes along with the scene. The whole film has that feeling, so since the vibe is consistent throughout, it never really seems to bother me too much. By being a classic, this is obviously worth the watch, but know going into it that it's a lighthearted, typical watch. Rating: 7/10 |
Serendipity:
Storyline:
When Sara and Jonathan meet by chance one night, he believes in love at first sight, she believes it was destiny. 10 years later, they can't go on with their lives anymore without the other. The dumb luck this idea provides is decent and believable to the extent of being able to enjoy the film. It's similar to a lot of other Rom-Coms out there with the predictable and cheesy feelings. The chemistry between the two was competent to the storyline. The acting did feel scripted and routined with the deliverance of lines and characters actions, but the story from the beginning felt made up, so it never was a problem because it never did feel real. The films directing and editing was very choppy. Nothing continued through on a comfortable level and that added to the fact that it felt fake from the beginning. As for the camera angles, shots and the way everything was presented, it was filled with generic tactics that left it dull and nothing that set it out from the ordinary. I really don't think this is worth anyone's time, even if you love this type of film there are bigger, better and more satisfying films. Rating: 4.5/10 |
The Ugly Truth:
Storyline:
A hopeless romantic gets coached by her tv personality employee in order to get the guy of her dreams to fall in love with her. This is the typical rom-com that is just not good. There is only so many times someone can re-make the same film and have them not be repetitive, and this didn't accomplish anything special. The acting had the same role Katherine Heigl is in with everything- a high strong, under appreciated, opinionated female lead, and it was portrayed below standards, yet again. And for Gerard Butler, I'm almost disappointed in him by starring in this. While some of his films end up like these, the heavy majority I enjoy, which include personable characters, where this fell below average. The storyline could not have been more predictable if anyone tried. By the way the story was presented, it wasn't even an enjoyable predictability, rather it was annoying and became unentertaining as it progressed. The final scene was also not pleasing. Though I knew it was coming, it just wasn't a high note, satisfying ending. Between all the negative aspects this had to offer, it wasn't surprising that this ending created the same feelings. On a whole, there are numerous rom-coms that offer better chemistry, cohesion and relatability to them- while it may be ugly, that's just the truth. Rating: 3/10 |
The Perfect Date:
Storyline:
Brooks dream is to get into Yale, he has the grades but not the money. So, he takes matters into his own hands and finds a way to raise the money he needs. I almost feel that I should just stop watching Netflix films, as the majority (including this one) are neither good or made well. The trailer summed up the film in two minutes, so that goes to show how underdeveloped both the plot and characters were, the acting was terrible, and it was a total copy of Deuce Bigalow: Male Giggolo, but 10x worse. I strongly did not enjoy this and do not recommend to anyone, everything in this found a way to bother me. Never once did I get the feeling that I could relate to the characters or that they were entertaining. They just felt fabricated and forced in their roles. The plot was doomed from the start too. The basis of the story was never really set, it just jumped right into a rushed and lagging story that failed to impress and entertain. Rating: 2/10 |
40 Days and 40 Nights:
Storyline:
Right when Matt thinks he's got his life together, his girlfriend dumps him and he instantly falls off the deep end. One lent comes around, he takes a vow of chastity, until he meets the girl of his dreams. As far as rom-coms go, this was kind of funny- funny in a way where its not great, but generally okay and you can get a good watch from. The plot is super unbelievable with situations that would never happen in real life. That being said, this is made for people to relate to, feel for the main characters and just have an entertaining watch, and it achieves just that. In addition to the plot being a little shaky, the acting wasn't the best, either. Having multiple times where the scenes just felt awkward and uncomfortable, the viewer never receives a relatable feeling. But with all these negatives, it still kept my interest throughout the entire film. Overall, the more Josh Hartnett films I watch (for the most part), he just doesn't make any I'd want to watch multiple times or great ones, but they are entertaining and enjoyable for something different every once in a while. Rating: 5/10 |
Adam's Rib:
Storyline:
When husband and wife, Adam and Amanda are defending opposing sides of the law in the courtroom, it becomes a bigger issue at home than the case in hand. While it's clearly obvious by the picture, story and cinematography that this was made in the 1940's, it didn't take away from the story. It might not be the best thing the world has to offer, but considering the time it was made, it is still entertaining today. The story followed multiple times throughout the ongoing case, which provided the stable plot for the film to rely on. It never really had a steady pace, though. Some scenes felt slow and run on, while others felt extremely rushed and sped up. This did still have the classic feel of all the films made in this time. Never did this make me loose interest, but it did leave me feeling bored in numerous instances. The casting was done well. The two main characters couldn't have been casted better. With such strong performances and character development, it created a relationship that wasn't questionable and extremely genuine. During this time, the topics that were being explored had never really seen the light or been developed in film before, so this is something that is innovative to history. While this is made for everyone to enjoy and have a good time watching, it also has a bigger meaning at stake and accomplishes everything it strives too. Rating: 7.5/10 |
Isn't It Romantic:
Storyline:
Natalie, an architect who despises rom-com's, gets mugged on the subway and hits her head, and is instantly trapped in a romantic comedy. This was the same thing as I Feel Pretty with Amy Schumer, but instead of her hitting her head and thinking she was instantly beautiful, she hit her head and was trapped in a different world. They both had the same self-worth, appreciation based plot, minus that minor difference. So, while this was just about the same as everything else within the genre, it was also the specific, seasoned plot as another film. The biggest thing I had a problem with was the overuse of comedy aspects. Some things were funny the first couple of times but became annoying when they kept happening the same way. Keeping in mind this was supposed to be stupid, it wasn't a deal-breaker, as it did make me laugh, just not the tenth time. Same goes for the references to other rom-com's, originally it was once funny but quickly became a little much in some instances. Make sure to stay tuned in the credits for Liam Hemsworth's dancing. Being my favorite part of the film, it was so bad it was good and was honestly funnier than the film overall. 5/10
5/10
|
Wicker Park:
Storyline:
Two years since returning home to New York, Matthew begins to realize why he had left in the first place. It all starts when he sees his ex-girlfriend who he had thought disappeared, and sets out to find her. The editing and camera work go hand in hand with how awful the flow of this film was. Filled with numerous split screens of different time frames, it became confusing on what the focus was or where you should follow. Not to mention, it was done unsystematically with no progression. Along with that, the camera angles were not doing anything for anyone. Not providing a feeling that you were right there in the moment, it's easy to pinpoint this as one of the numerous aspects that contribute to the lack of authenticity. Shockingly, the plot was not believable, either. While the story worked by the audience finding out information throughout the film with flashbacks, the way the past correlated to the present, there were too many plot holes that nothing made sense; everything was thrown together confusingly, as many things should have come earlier/later within the story. That being said, it wasn't completely dreadful, as I wanted to get to the end to see what happened. So, while it kept my interest throughout, it wasn't anything special. Lastly, the final scene was not as powerful as I think they hoped, I could see everything coming and I thought the entire story was dragged on/didn't need to be made. 4/10
4/10
|
He's Just Not That Into You:
Storyline:
Originally from a book, this film follows individuals with the unique struggles of their relationships and how they go about handling them. With a cast filled with A-listers, it never felt as anyone is trying to steal the spotlight, although, with this type of film, it's kind of hard to do so. Each character had their issues with their significant other and was trying to find a way to fix it, so each scene was individualized to their problems. Stories like these I enjoy from an entertainment standpoint, as each situation is very different. From a critical standpoint, this storyline is so overused and should be retired. However, keeping in mind this was created to be a relatable, feel-good film, it does just that. While each relationship is unique, it ends up tying together very nicely with the others at some point. So, that sense of anticipation creates an entertaining and captivating tone. That being said, it's obvious which characters were treated with more developmental time than others when they're all supposed to be "equal". The flow of the story was consistent and kept my interest. I didn't have a problem with the cheesy, happy ending because what I wanted to happen, happened, and everything was good for everyone. 5/10
6/10
|
Sleepless In Seattle:
Storyline:
After the death of his wife, Sam and his son Jonah move to Seattle. Jonah calls a radio talk show to find his dad a new wife. When Annie hears his story on the radio, she falls for him, even though she’s engaged. Though supposed to be cheesy, happy ending films still get a solid BAM! rating, but always find a way to lack critically. While this makes you feel good if you're a hopeless romantic, you can't deny the problems that come with it. This served its purpose by providing the needed information toward its targeted viewers, but by no means is something that's a must-see within the genre. For the most part, the casting and performances were done well. Having an easy progression and development throughout the whole story, the characters were easy to relate to and were perfect for this story. Featuring a range of emotions, there are times to laugh and cry in this film. My only issue is the concept of the film. This story is slightly believable if you let yourself just enjoy it, but at the same time, there was no practicality at any moment. While taking this for what it’s worth, not everything will be realistic, but some things I just can't let slide. With him knowing nothing about her, just by first glance, he liked her, there is no meaning, relationship development, or logic, and that's what stops this film from separating itself within the genre. 6.5/10
6.5/10
|
Sierra Burgess Is a Loser:
Storyline:
When Jamey mistakenly texts the wrong number, it sparks a romance between him and Sierra, but little does he know Sierra is not Veronica, the girl he thought he has been talking to. There were so many things wrong with this film, honestly, I don’t think there was one thing that was done right. The plot was incredibly predictable and unrealistic. Just the story itself, having the main character think he was texting someone else even when she refused to meet in person, you could predict everything. Every character was incredibly flat. It had the typical “mean girl” character who was rude and a bully until someone was nice to her. Immediately changing after that, she had no growth and/or depth. I had an issue with the protagonist as well because the entire time all she worried about was her weight (which was partially the message of the film) which was fine, but became extremely annoying. All she cared about was this issue, which consumed her, and ultimately ruined the message, as there was no positive that came from it. This film did not succeed with anything it was trying to. It failed to provide the message that everything doesn’t revolve around the way you look, instead, that was the only thing that was expressed. 1/10
1/10
|
When Harry Met Sally:
Storyline:
Two college graduates who don’t know each other drive from Chicago to New York. During the car ride, they argue about whether or not men and women can truly be platonic friends. Ten years later they meet again, trying to pick up where they left off. This is simply a timeless picture. Still having relevance and meanings raining true to this day, though classified as a Rom-Com, this is more than just a cheesy story. Although consisting of a predictable storyline, it didn’t ruin the film. It was foreseeable in the sense that you knew what you were getting yourself into, but the course of getting to the destination is what shines. This told a story that upon first glance, you would never picture happening, but in some way has you compelled throughout and is believable. Casting this remarkably well, the difference in characters is what drives this film. Consisting of real-life instances, there is not only a realistic factor, yet a tangible one. While this has its fair share of corny moments, the relatability is always prominent. No matter who you are, this has to be seen at least once in your life. When Harry Met Sally is a romance that will entertain anyone from any genre, as it's funny, sweet, and entertaining. 7/10
8/10
|
To All The Boys I've Loved Before:
This summer, Netflix has come out with some popular films, and I don’t know how I feel about this one.
Storyline: When shy Lara Jean’s secret love letters mysteriously get sent, her whole world changes. One of the issues I have with this film is the performances/casting. In the beginning, it was hard for me to continue because it was so uncomfortable and emotionless. Throughout it got better, but is nothing that anyone should be proud of. The “mean girl” character... what to say, what to say. She was the stereotypical ex-girlfriend who set out to ruin the protagonist's life and was the predictable flat character with zero dimension that we all saw coming. While she was incredibly annoying, it's not all her fault, as she was written poorly. The storyline isn’t so much that it was bad, just predictable like every teen, happy ending film - the girl gets her dream guy, things go bad, they can’t stay away from each other, etc. Overall, looking past the negatives, this wasn’t set out to be great, it was created teenagers who can relate to the main character and is a feel-good film, and I think they achieved their goal. 5/10
6/10
|